Robin Hood (2010)
Action, Adventure, History • 2h 20m
Director: Ridley Scott
Cast: Russell Crowe, Cate Blanchett, Max von Sydow, William Hurt, Mark Strong, Oscar Isaac, Danny Huston, Eileen Atkins, Mark Addy, Matthew Macfadyen, Kevin Durand, Scott Grimes, Alan Doyle, Douglas Hodge, Léa Seydoux, Jonathan Zaccaï, Robert Pugh, Gerard McSorley, Velibor Topic, Ciaran Flynn, Simon McBurney, Denise Gough, John Nicholas, Thomas Arnold, Pip Carter, Mark Lewis Jones, Bronson Webb, Denis Ménochet, Jamie Beamish, John Atterbury, Luke Evans, Roy Holder, Mark Ryder, Ruby Bentall, Ned Dennehy, Nicolas Simon, Lisa Millett, Stuart Martin, Jessica Raine, Steve Evets, Eric Rulliat, Abraham Belaga, Jack Downham, Richard Riddell, David Bertrand, Arthur Darvill, Giannina Facio, Hannah Barrie, Lee Battle, Nicky Bell, Andrea Ware, John O'Toole, Ralph Ineson, Zuriel de Peslouan, Jake Curran, Samuel Dupuy, Nick Lucas, Alan Charlesworth, Lothaire Gerard, Mat Laroche, Chris Jared, Joseph Hamilton, James Hamilton, James Burrows, Tom Blyth, Lee Nicholas Harris, Michael Koltes, Umit Ulgen, Robert J. Fraser, Ryan Stuart, Harvey Walsh, Will Richardson, Danny Patrick
Compare the discs
About the film
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.
- Alternative Titles
- Ridley Scott's Robin Hood
Director: Ridley Scott
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray
(additional scenes appear to be upscaled)
Original Theatrical 70mm 6-Track Stereo: Fox 4K Blu-ray (DTS-HD MA 4.1)
Original Theatrical 35mm Matrixed Dolby Stereo: 1999 DVD? (2.0 mix on the UHD is a downmix)
2003 Directors Cut: Fox 4K Blu-ray, Fox Blu-ray (DTS-HD MA 5.1)
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Ridley Scott
UK Universal 4K Blu-ray is missing Kino Lorber extras
Director: Ridley Scott
Sources: Criterion Forum (opens in a new tab)
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
Director: Ridley Scott
UK/Germany Warner Bros Blu-ray has the Atmos mix
Director: Ridley Scott
Sony 2023 steelbook 4K Blu-ray release
Director: Ridley Scott
Director's Cut/Roadshow Cut: Disney 4K Blu-ray
Theatrical: 2014 Fox Blu-Ray
Director: Ridley Scott
4K release is missing the bonus disc from the old Collector's Edition Blu-Rays
Director: Ridley Scott
Video format: UHD Blu-ray
Fox Extended Cut 4K Blu-Ray
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: James Neilson
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino Lorber Blu-ray is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino Lorber Blu-ray adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
Director: Michael Cimino
2020 Shout! Factory 4K
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc
70mm mix: StudioCanal 4K Blu-ray
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
More Action on Blu-ray
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Sources: slow.pics (opens in a new tab)
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: George Lucas
Video format: UHD Blu-ray
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
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