You Were Never Really Here (2017)
Crime, Drama, Thriller • 1h 29m
Director: Lynne Ramsay
Cast: Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov, John Doman, Alex Manette, Dante Pereira-Olson, Alessandro Nivola, Larry Canady, Vinicius Damasceno, Neo Randall, Frank Pando, Edward Latham, Claire Hsu, Denis Ozer, Tia-Sophia Begh, Lucy Lan Luo, Annie Mac-Yang, Lilian Tsang, He Mengqi, Rose De Vera, Tian-Lan Chaudhry, Ryan Martin Brown, Ace Ramsey, Silvia Pena, Jason Babinsky, Jonathan Wilde, Ronan Summers, Kate Easton, Scott Price, Novella Nelson, Madison Arnold, Leigh Dunham, Joseph Anthony Jerez, Sophie Piedras, Christian Reeve, Oleg Ossayenko, Cristina Dohmen
Compare the discs
About the film
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares begin to overtake him, and a conspiracy is uncovered—leading to what may be his death trip or his awakening.
Director: Lynne Ramsay
Directors: Banjong Pisanthanakun & Parkpoom Wongpoom
Australia Umbrella 4K Blu-ray encoded by FiM
Director: Mamoru Oshii
US GKIDS 4K Blu-ray authored by FiM
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
US GKIDS/Australia Umbrella 4K Blu-ray authored by FiM with identical encodes
UHD vs BD comparisons
4K restoration includes a high-fidelity Dolby Atmos remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella/GKIDS 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new Dolby Atmos remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Only the GKIDS 4K Blu-ray has the English dub.
Director: Hal Needham
2026 Vinegar Syndrome 4K Blu-ray, 2025 Umbrella 4K Blu-ray
Director: Alejandro Jodorowsky
Video format: UHD Blu-ray
Umbrella 4K Blu-ray, part of Alejandro Jodorowsky Collector’s Edition, scheduled for November 2026 release
Severin 4K Blu-ray has bad encode
Arrow/US remastered abkco Blu-ray or Germany Bildstörung Blu-ray depending on preference
Sources: caps-a-holic (opens in a new tab)
Umbrella 4K Blu-ray, part of Alejandro Jodorowsky Collector’s Edition, scheduled for November 2026 release
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Richard Stanley
Umbrella AU 4K Blu-ray, encoded by Fidelity in Motion
Original matrixed Dolby Stereo mix: 2018 Ronin Flix US Blu-ray / 2009 Optimum UK Blu-ray
5.1 surround remix: Umbrella AU 4K Blu-ray / Umbrella Blu-ray
The 2.0 on the 4K Blu-ray is a downmix.
Director: Christopher Nolan
Spain Selecta Vision 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab) · linkedin.com (opens in a new tab) · dvdcompare.net (opens in a new tab)
Collector's edition of a new restoration from Umbrella
Spain Selecta Vision 4K Blu-ray > other releases and old 2006 release - impressions of Selecta Vision release
Comparison of extras between different releases:
https://dvdcompare.net/comparisons/film.php?fid=999
https://dvdcompare.net/comparisons/film.php?fid=9670
Director: Ted Kotcheff
Sources: Blu-ray.com (opens in a new tab)
Umbrella/Arrow 4K Blu-ray (FiM encode but the mastering shows signs of DNR albeit only momentarily); all other BDs pretty bad.
But whether in the correct speed/pitch is TBC.
More Crime on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
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