Memento (2000)
Mystery, Thriller • 1h 53m
Overview
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
Director: Christopher Nolan
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: George Lucas
Director: George Lucas
WB 4K Blu-ray, caveat: mild DNR throughout the transfer, non-IMAX scenes appear soft due to being scanned from an interpositive rather than the original camera negative.
Best Buy exclusive Steelbook Blu-ray has the exclusive The Dark Knight Reborn Featurette
WB 4K Blu-ray, caveat: mild DNR throughout the transfer, non-IMAX scenes appear soft due to being scanned from an interpositive rather than the original camera negative.
Best Buy exclusive Steelbook Blu-ray has the exclusive The Dark Knight Reborn Featurette
Director: Christopher Nolan
WB 4K Blu-ray, caveat: mild DNR throughout the transfer, non-IMAX scenes appear soft due to being scanned from an interpositive rather than the original camera negative.
Director: Christopher Nolan
WB 4K Blu-ray, caveat: mild DNR throughout the transfer, non-IMAX scenes appear soft due to being scanned from an interpositive rather than the original camera negative.
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Christopher Nolan
Director: Richard Stanley
Umbrella AU 4K Blu-ray, encoded by Fidelity in Motion
Director: Richard Stanley
Umbrella AU 4K Blu-ray, encoded by Fidelity in Motion
Director: Michael Haneke
2025 Curzon UK Blu-ray or 2013 TF1 FR Blu-ray (caps)
Curzon has a slightly better encode and preserves all the noise of the digital source, but ends up obscuring actual detail in some shots. Both are quite good, only caveat being that the TF1 disc is slightly cropped and has a black bar on top.
2025 Curzon UK Blu-ray
2008 Artificial Eye UK and 2025 Umbrella AU discs have incorrect pitch. TF1 FR disc is missing 7 minutes of audio in the left channel. See spectrograms.
Director: Michael Haneke
2025 Curzon UK Blu-ray or 2013 TF1 FR Blu-ray (caps)
Curzon has a slightly better encode and preserves all the noise of the digital source, but ends up obscuring actual detail in some shots. Both are quite good, only caveat being that the TF1 disc is slightly cropped and has a black bar on top.
2025 Curzon UK Blu-ray
2008 Artificial Eye UK and 2025 Umbrella AU discs have incorrect pitch. TF1 FR disc is missing 7 minutes of audio in the left channel. See spectrograms.
Director: Mamoru Oshii
Umbrella 4K Blu-ray see caps
4K restoration includes a high-fidelity remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new 5.1 remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Director: Mamoru Oshii
Umbrella 4K Blu-ray see caps
4K restoration includes a high-fidelity remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new 5.1 remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Director: Ted Kotcheff
Umbrella/Arrow 4K Blu-ray (FiM encode but the mastering shows signs of DNR albeit only momentarily); all other BDs pretty bad.
Umbrella/Arrow 4K Blu-ray, but whether in the correct speed/pitch is TBC.
Director: Ted Kotcheff
Umbrella/Arrow 4K Blu-ray (FiM encode but the mastering shows signs of DNR albeit only momentarily); all other BDs pretty bad.
Umbrella/Arrow 4K Blu-ray, but whether in the correct speed/pitch is TBC.
Director: Rolf de Heer
Director: Rolf de Heer
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: Richard Stanley
AU Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression.
Director's Cut uses a proper transfer but suffers from terrible compression, even by Kino standards.
The Umbrella with its FiM encode looks blurrier due to a slight low-pass filter, but is still far better than Kino.
AU Umbrella 4K Blu-ray and US Kino Lorber 4K Blu-ray are the same.
The 5.1 track is a direct port of the lossy NTSC DVD track.
Director: Richard Stanley
AU Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression.
Director's Cut uses a proper transfer but suffers from terrible compression, even by Kino standards.
The Umbrella with its FiM encode looks blurrier due to a slight low-pass filter, but is still far better than Kino.
AU Umbrella 4K Blu-ray and US Kino Lorber 4K Blu-ray are the same.
The 5.1 track is a direct port of the lossy NTSC DVD track.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
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