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Peeping Tom (1960)
Peeping Tom (1960) poster
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4.0

Peeping Tom (1960)

Thriller, Horror, Drama • 1h 41m

Overview

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

Director: Michael Powell

Best English-Friendly Release

Best Video Release

Best Audio Release

Format

UHD Blu-ray

UHD Tiers

Excellent
tie: Studio Canal + Criterion:

capsule review

Featured Lists

TSPDT

2026: #370
2025: #374
2024: #374
2023: #370
2022: #370

Criterion Forum

Review

Picture: 6, Audio: 6, Extras: 7

Length

101 mins

Type

Movie

Alternative Titles

Face of Fear

Last Updated

5 months ago

Contributors

Best English-Friendly Release
Best Video Release
Best Audio Release
Format
UHD Blu-ray
UHD Tiers
Excellent
tie: Studio Canal + Criterion:

capsule review

Featured Lists
TSPDT
2026: #370
2025: #374
2024: #374
2023: #370
2022: #370
Criterion Forum
Review

Picture: 6, Audio: 6, Extras: 7

Length
101 mins
Type
Movie
Alternative Titles
Face of Fear
Last Updated
5 months ago
Contributors

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Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.

All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.

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Best Audio:

Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.

All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.

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  • StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.

  • 2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.

  • 2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps

Best Audio:

2025 Sony US 4K Blu-ray has the original 5.1.

The Atmos on the Sony release is reportedly better than StudioCanal's.

Additional Info:

Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.

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  • StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.

  • 2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.

  • 2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps

Best Audio:

2025 Sony US 4K Blu-ray has the original 5.1.

The Atmos on the Sony release is reportedly better than StudioCanal's.

Additional Info:

Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.

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The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

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Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

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Upcoming Release:

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The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

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1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html

Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

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