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About the film
Ma Delano runs a penny arcade in Coney Island, living upstairs with her sons and daughter. Story involves rum-running, accidental murder and a frame-up.
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- Women in Love, Sinners Holiday, Sinner's Holiday
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: William Dieterle
4K restoration from Original Camera Negative
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Leo McCarey
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
UK MoC Blu-ray > Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Frank Capra
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Director: Orson Welles
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
WB Europe 4K Blu-ray
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Sylvester Stallone
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
All foreign language tracks were pitched too low, replacement disc and Ultimate Knockout Collection disc fixed the error.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Director: Sylvester Stallone
2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set
2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set > 2023 Knockout Collection 4K Blu-ray
2023 disc has a brief moment where the aspect ratio changes from 1.85:1 to 1.78:1, 2024 release fixed the error
Both cuts of the movie are on the same disc and don’t appear to be seamlessly branched.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc > Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error.
The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.
Director: Sylvester Stallone
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Knockout Collection release had its 5.1 mix pitched too low, replacement disc and Ultimate Knockout Collection fixed the error.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
More Crime on Blu-ray
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
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Every recommendation follows the same method — how these calls are made.