War Horse (2011)
War, History, Adventure • 2h 26m
Overview
On the brink of the First World War, Albert's beloved horse Joey is sold to the Cavalry by his father. Against the backdrop of the Great War, Joey begins an odyssey full of danger, joy, and sorrow, and he transforms everyone he meets along the way. Meanwhile, Albert, unable to forget his equine friend, searches the battlefields of France to find Joey and bring him home.
Director: Steven Spielberg
Cast: Jeremy Irvine, Peter Mullan, Emily Watson, Niels Arestrup, David Thewlis, Tom Hiddleston, Benedict Cumberbatch, Celine Buckens, Toby Kebbell, Patrick Kennedy, Leonard Carow, David Kross, Matt Milne, Robert Emms, Eddie Marsan, Nicolas Bro, Rainer Bock, Hinnerk Schönemann, Gary Lydon, Geoff Bell, Liam Cunningham, Sebastian Hülk, Gerard McSorley, Tony Pitts, Irfan Hussein, Pip Torrens, Philippe Nahon, Jean-Claude Lecas, Justin Brett, Seamus O'Neill, Pat Laffan, Michael Ryan, Peter McNeil O'Connor, Trystan Pütter, Gunnar Cauthery, Julian Wadham, Anian Zollner, Michael Kranz, Hannes Wegener, David Dencik, Edward Bennett, Johnny Harris, Philip Hill-Pearson, Tam Dean Burn, Maximilian Brückner, Markus Tomczyk, Peter Benedict, Callum Armstrong, Roy Holder, Paul Alexander, Maggie Ollerenshaw, Beth Ogden, Martin Dew, Michael Morpurgo, Finder's Key
The new Universal 4K is AI upscaled https://slow.pics/c/5jD2BjKT and sharpened, see discussion on BR https://forum.blu-ray.com/showthread.php?t=377660&page=9
The new Universal 4K is AI upscaled https://slow.pics/c/5jD2BjKT and sharpened, see discussion on BR https://forum.blu-ray.com/showthread.php?t=377660&page=9
Director: Steven Spielberg
Director: Steven Spielberg
35mm/70mm scan, Japan WOWOW Broadcast version, letterbox LaserDisc or DVD for purist version, Paramount 4K Blu-ray heavily revisionist
35mm/70mm scan, Japan WOWOW Broadcast version, letterbox LaserDisc or DVD for purist version, Paramount 4K Blu-ray heavily revisionist
1992 LaserDisc Dolby Surround, DVD 5.1 (70mm mix), 1991 Japan LaserDisc PCM (Dolby Stereo home version)
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The color timing and Atmos remix are thankfully taming the excessively overdone terrible Blu-ray in those areas but neither is fully accurate. The Atmos remix sounds lifeless and essentially tames the crazy LFE of the Blu-ray remix that never stopped while also spreading the sound around overhead. The music is absolutely lifeless here. If it weren't for the visual changes it might be possible to regrade the picture master and just live with the encoding noise. As it is, purists will want the LaserDisc, DVD or Japan WOWOW broadcast of the Laser Pacific master which is the same master used for the awful Blu-ray just without the hideous color grading applied.
The DVD was handled by Lowry Digital and is overscrubbed like crazy plus had all sorts of DVD era edge enhancement and other issues. It instigated the digital changes of the boulder rod and snake reflection removals. The ONLY widescreen versions of the film without ANY changes are the 1992 LaserDisc and the 1999 final release VHS.
Audio wise, Raiders is EXTREMELY complex. Like the Star Wars trilogy it had three specific release mixes with variations and differences plus a fourth mix that was not used. The mono mix had unique bits and has never been officially released though you can hear bits of it on the 2003 bonus DVD and in the Raiders in Concert live symphony performances. The Dolby Stereo is roughly what was used on all pre-widescreen editions on VHS, Beta and LaserDisc in the 80's. The best iteration of that is the 1991 Japan LaserDisc reissue with PCM digital sound. This iteration is more of a home version as it doesn't really have much surround. Yet it retains dynamic range unlike the 1985 home video remix of Star Wars' Dolby Stereo track. The 70mm Dolby six track magnetic audio was supposedly used in making the excellent sounding 5.1 made for the DVD release. Before the release the film was mixed in the very short lived VistaSonic process which was Paramount backed. This was dropped very last minute as the system had tons of playback issues and the film was apparently hastily remixed in Dolby formats. When the first letterboxed transfer showed up on the 1992 Paramount LaserDisc release all of a sudden the Dolby Surround encoded matrix track it contained is without question the best sounding mix of Raiders you can find anywhere. It is more aggressive than the Dolby Stereo, more punchy than the DVD 5.1 and even contains a unique different sound effect which indicates it is clearly a different mix. It is unknown if this is the abandoned VistaSonic mix or a new quiet Dolby Surround home mix akin to the 1993 Star Wars Definitive Collection remix. To this day, the LaserDisc Dolby surround is the best sounding version of Raiders you are likely ever to hear. Even though it isn't discrete.
The Blu-ray remix though supervised by Ben Burtt went overboard on making everything aggressive and modernized. The LFE is virtually nonstop even in dialogue scenes. It is a textbook case of revisionist audio desecration. The 4K Blu-ray Atmos merely tames the LFE and reduces impact even more by moving around more elements and adding more processing. Both of these remixes are a crime.
DFIC extensive review: https://youtu.be/evsrJOTIjdA
35mm/70mm scan, Japan WOWOW Broadcast version, letterbox LaserDisc or DVD for purist version, Paramount 4K Blu-ray heavily revisionist
35mm/70mm scan, Japan WOWOW Broadcast version, letterbox LaserDisc or DVD for purist version, Paramount 4K Blu-ray heavily revisionist
1992 LaserDisc Dolby Surround, DVD 5.1 (70mm mix), 1991 Japan LaserDisc PCM (Dolby Stereo home version)
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The color timing and Atmos remix are thankfully taming the excessively overdone terrible Blu-ray in those areas but neither is fully accurate. The Atmos remix sounds lifeless and essentially tames the crazy LFE of the Blu-ray remix that never stopped while also spreading the sound around overhead. The music is absolutely lifeless here. If it weren't for the visual changes it might be possible to regrade the picture master and just live with the encoding noise. As it is, purists will want the LaserDisc, DVD or Japan WOWOW broadcast of the Laser Pacific master which is the same master used for the awful Blu-ray just without the hideous color grading applied.
The DVD was handled by Lowry Digital and is overscrubbed like crazy plus had all sorts of DVD era edge enhancement and other issues. It instigated the digital changes of the boulder rod and snake reflection removals. The ONLY widescreen versions of the film without ANY changes are the 1992 LaserDisc and the 1999 final release VHS.
Audio wise, Raiders is EXTREMELY complex. Like the Star Wars trilogy it had three specific release mixes with variations and differences plus a fourth mix that was not used. The mono mix had unique bits and has never been officially released though you can hear bits of it on the 2003 bonus DVD and in the Raiders in Concert live symphony performances. The Dolby Stereo is roughly what was used on all pre-widescreen editions on VHS, Beta and LaserDisc in the 80's. The best iteration of that is the 1991 Japan LaserDisc reissue with PCM digital sound. This iteration is more of a home version as it doesn't really have much surround. Yet it retains dynamic range unlike the 1985 home video remix of Star Wars' Dolby Stereo track. The 70mm Dolby six track magnetic audio was supposedly used in making the excellent sounding 5.1 made for the DVD release. Before the release the film was mixed in the very short lived VistaSonic process which was Paramount backed. This was dropped very last minute as the system had tons of playback issues and the film was apparently hastily remixed in Dolby formats. When the first letterboxed transfer showed up on the 1992 Paramount LaserDisc release all of a sudden the Dolby Surround encoded matrix track it contained is without question the best sounding mix of Raiders you can find anywhere. It is more aggressive than the Dolby Stereo, more punchy than the DVD 5.1 and even contains a unique different sound effect which indicates it is clearly a different mix. It is unknown if this is the abandoned VistaSonic mix or a new quiet Dolby Surround home mix akin to the 1993 Star Wars Definitive Collection remix. To this day, the LaserDisc Dolby surround is the best sounding version of Raiders you are likely ever to hear. Even though it isn't discrete.
The Blu-ray remix though supervised by Ben Burtt went overboard on making everything aggressive and modernized. The LFE is virtually nonstop even in dialogue scenes. It is a textbook case of revisionist audio desecration. The 4K Blu-ray Atmos merely tames the LFE and reduces impact even more by moving around more elements and adding more processing. Both of these remixes are a crime.
DFIC extensive review: https://youtu.be/evsrJOTIjdA
Paramount 4K Blu-ray Purist choice: Blu-ray
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray Purist choice: Blu-ray
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
https://forum.blu-ray.com/showpost.php?p=23286334&postcount=7340
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
https://forum.blu-ray.com/showpost.php?p=23286334&postcount=7340
Director: Steven Spielberg
"Director's Cut" (Theatrical cut with minor changes): Universal 4K Blu-ray
Theatrical Cut: VHS
TV Cut: Fan restoration
"Director's Cut" (Theatrical cut with minor changes): Universal 4K Blu-ray
Theatrical Cut: VHS TV Cut: Fan restoration
1993 MCA LaserDisc (with EQ adjusted)
Director: Steven Spielberg
"Director's Cut" (Theatrical cut with minor changes): Universal 4K Blu-ray
Theatrical Cut: VHS
TV Cut: Fan restoration
"Director's Cut" (Theatrical cut with minor changes): Universal 4K Blu-ray
Theatrical Cut: VHS TV Cut: Fan restoration
1993 MCA LaserDisc (with EQ adjusted)
Director: Steven Spielberg
Director: Steven Spielberg
Director: Steven Spielberg
Director: Steven Spielberg
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
Directors: John Musker & Ron Clements
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version - uncensored: Pre-1993 35mm scans
OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc
OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only
Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")
Directors: John Musker & Ron Clements
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version: Disney Deluxe Edition LaserDisc
2004 restored version: Disney 4K Blu-ray
OG theatrical version - uncensored: Pre-1993 35mm scans
OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc
OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only
Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")
Director: Yorgos Lanthimos
Director: Yorgos Lanthimos
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Goro Miyazaki
2011 Japan Studio Ghibli Blu-ray
Director: Goro Miyazaki
2011 Japan Studio Ghibli Blu-ray
Director: Jonathan Demme
Director: Jonathan Demme
More War on Blu-ray
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Frank Borzage
Kino Lorber Blu-ray 4K scan from the 35mm B&W nitrate original negative and 35mm B&W composite fine grain
Director: Frank Borzage
Kino Lorber Blu-ray 4K scan from the 35mm B&W nitrate original negative and 35mm B&W composite fine grain
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Andrzej Wajda
Director: Andrzej Wajda
Director: Roland Emmerich
Sony 4K Blu-ray (theatrical only in 4K)
Sony 4K Blu-ray Steelbook upcoming with Dolby Vision and both cuts in 4K
Sony 4K Blu-ray (theatrical only in 4K)
The LPCM 5.1 from the old Extended BD and the DTS-HD 5.1 from the new Extended UHD are exactly the same. The DTS-HD tracks on both of the theatrical UHDs are also the same, and in fact appear to be lossless versions of the Superbit DTS mix with no tampering.
Director: Roland Emmerich
Sony 4K Blu-ray (theatrical only in 4K)
Sony 4K Blu-ray Steelbook upcoming with Dolby Vision and both cuts in 4K
Sony 4K Blu-ray (theatrical only in 4K)
The LPCM 5.1 from the old Extended BD and the DTS-HD 5.1 from the new Extended UHD are exactly the same. The DTS-HD tracks on both of the theatrical UHDs are also the same, and in fact appear to be lossless versions of the Superbit DTS mix with no tampering.
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
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