Kim Chan
5 Films
Kim Chan
5 Included Films
Kim Chan (December 28, 1917 – October 5, 2008) was a Chinese–American actor and producer. He was most notable for his roles as Lo Si, a.k.a. The Ancient, in Kung Fu: The Legend Continues and Mr. Kim in The Fifth Element.
Director: Martin Scorsese
Director: Martin Scorsese
Director: Adrian Lyne
Director: Adrian Lyne
Theatrical Cut with unaltered sculpture: Initial DVD
Altered Cut: Shout Factory 4K Blu-ray
Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".
Altered Cut: Shout Factory 4K Blu-ray see caps
, Shout Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)
DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.
5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.
Audio Comparisons: Slow.pics
For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.
Commentary Comparisons: Slow.pics
Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples
Theatrical Cut with unaltered sculpture: Initial DVD
Altered Cut: Shout Factory 4K Blu-ray
Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".
Altered Cut: Shout Factory 4K Blu-ray see caps
, Shout Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)
DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.
5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.
Audio Comparisons: Slow.pics
For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.
Commentary Comparisons: Slow.pics
Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Martin Scorsese
Kino Lorber Blu-ray (other releases have horrendous DNR)
Director: Martin Scorsese
Kino Lorber Blu-ray (other releases have horrendous DNR)
5 films