Return of the Jedi (1983)
Adventure, Action, Science Fiction • 2h 12m
Overview
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
Director: Richard Marquand
Cast: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, Ian McDiarmid, Frank Oz, James Earl Jones, David Prowse, Alec Guinness, Kenny Baker, Michael Pennington, Kenneth Colley, Michael Carter, Denis Lawson, Tim Rose, Dermot Crowley, Caroline Blakiston, Warwick Davis, Jeremy Bulloch, Femi Taylor, Annie Arbogast, Claire Davenport, Jack Purvis, Mike Edmonds, Jane Busby, Malcolm Dixon, Mike Cottrell, Nicki Reade, Adam Bareham, Jonathan Oliver, Pip Miller, Tom Mannion, Margo Apostolos, Eileen Baker, Michael Henbury Ballan, Bobby Bell, Patty Bell, Alan Bennett, Sarah Bennett, Pamela Betts, Danny Blackner, Linda Bowley, Peter Burroughs, Debbie Lee Carrington, Maureen Charlton, Willie Coppen, Sadie Corre, Tony Cox, John Cumming, Jean D'Agostino, Luis De Jesus, Debbie Dixon, Margarita Fernández, Phil Fondacaro, Sal Fondacaro, Tony Friel, Daniel Frishman, John Ghavan, Michael Gilden, Paul Grant, Lydia Green, Lars Green, Pam Grizz, Andrew Herd, J.J. Jackson, Richard Jones, Trevor Jones, Glynn Jones, Karen Lay, John Lummiss, Nancy MacLean, Peter Mandell, Carole Morris, Stacie Nichols, Chris Nunn, Barbara O'Laughlin, Brian Orenstein, Harrell Parker Jr., John Pedrick, April Perkins, Ronnie Phillips, Katie Purvis, Carol Read, Nicholas Read, Diana Reynolds, Danielle Rodgers, Chris Romano, Dean Shackelford, Kiran Shah, Felix Silla, Linda Spriggs, Gerald Staddon, Josephine Staddon, Kevin Thompson, Kendra Wall, Brian Wheeler, Butch Wilhelm, Mark Dodson, Simon J. Williamson, Richard Bonehill, David Gonzales, Peter Roy, Erik Bauersfeld, Mike Quinn, Bill Kipsang Rotich, Deep Roy, Alisa Berk, Hugh Spight, Swee Lim, Richard Robinson, Gerald Home, Phil Herbert, Tim Dry, Sean Crawford, Phil Tippett, Toby Philpott, David Alan Barclay, Jasper Jacob, Peter Allen, John Altman, Glyn Baker, Dickey Beer, Ailsa Berk, Paul Brooke, Ben Burtt, Maurice Bush, Trevor Butterfield, Vivienne Chandler, Tony Clarkin, Kenneth Coombs, Andy Cunningham, Peter Diamond, Richard Driscoll, Douglas Farrell, Alan Flyng, Ernie Fosselius, Stuart Fox, Isaac Grand, Gordon Hann, Alan Harris, Walter Henry, Philip Herbert, Larry Holt, William Hoyland, Colin Hunt, Monty Jordan, Michael Josephs, Eiji Kusuhara, Anthony Lang, Arnold Lee, Julius LeFlore, John Maloney, Paul Markham, Richard Marquand, Hilton McRae, Billy J. Mitchell, Amanda Noar, Terry Sach, Errol Shaker, Guy Standeven, Jules Walters, Robert Watts, Paul Weston, Corey Dee Williams, Michael Stevens, Michael McCormick, David Stone, Lynne Hazelden, Paul Springer, Ronny Cush, John Cannon, Larry Ward, Jason Wingreen
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
Director: Ron Howard
Director: Ron Howard
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
More Adventure on Blu-ray
Directors: Frank Oz & Jim Henson
Directors: Frank Oz & Jim Henson
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Directors: Gary Trousdale & Kirk Wise
Directors: Gary Trousdale & Kirk Wise
Edit History
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