Return of the Jedi (1983)
Adventure, Action, Science Fiction • 2h 12m
Overview
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
Director: Richard Marquand
Cast: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, Ian McDiarmid, Frank Oz, James Earl Jones, David Prowse, Alec Guinness, Kenny Baker, Michael Pennington, Kenneth Colley, Michael Carter, Denis Lawson, Tim Rose, Dermot Crowley, Caroline Blakiston, Warwick Davis, Jeremy Bulloch, Femi Taylor, Annie Arbogast, Claire Davenport, Jack Purvis, Mike Edmonds, Jane Busby, Malcolm Dixon, Mike Cottrell, Nicki Reade, Adam Bareham, Jonathan Oliver, Pip Miller, Tom Mannion, Margo Apostolos, Eileen Baker, Michael Henbury Ballan, Bobby Bell, Patty Bell, Alan Bennett, Sarah Bennett, Pamela Betts, Danny Blackner, Linda Bowley, Peter Burroughs, Debbie Lee Carrington, Maureen Charlton, Willie Coppen, Sadie Corre, Tony Cox, John Cumming, Jean D'Agostino, Luis De Jesus, Debbie Dixon, Margarita Fernández, Phil Fondacaro, Sal Fondacaro, Tony Friel, Daniel Frishman, John Ghavan, Michael Gilden, Paul Grant, Lydia Green, Lars Green, Pam Grizz, Andrew Herd, J.J. Jackson, Richard Jones, Trevor Jones, Glynn Jones, Karen Lay, John Lummiss, Nancy MacLean, Peter Mandell, Carole Morris, Stacie Nichols, Chris Nunn, Barbara O'Laughlin, Brian Orenstein, Harrell Parker Jr., John Pedrick, April Perkins, Ronnie Phillips, Katie Purvis, Carol Read, Nicholas Read, Diana Reynolds, Danielle Rodgers, Chris Romano, Dean Shackelford, Kiran Shah, Felix Silla, Linda Spriggs, Gerald Staddon, Josephine Staddon, Kevin Thompson, Kendra Wall, Brian Wheeler, Butch Wilhelm, Mark Dodson, Simon J. Williamson, Richard Bonehill, David Gonzales, Peter Roy, Erik Bauersfeld, Mike Quinn, Bill Kipsang Rotich, Deep Roy, Alisa Berk, Hugh Spight, Swee Lim, Richard Robinson, Gerald Home, Phil Herbert, Tim Dry, Sean Crawford, Phil Tippett, Toby Philpott, David Alan Barclay, Jasper Jacob, Peter Allen, John Altman, Glyn Baker, Dickey Beer, Ailsa Berk, Paul Brooke, Ben Burtt, Maurice Bush, Trevor Butterfield, Vivienne Chandler, Tony Clarkin, Kenneth Coombs, Andy Cunningham, Peter Diamond, Richard Driscoll, Douglas Farrell, Alan Flyng, Ernie Fosselius, Stuart Fox, Isaac Grand, Gordon Hann, Alan Harris, Walter Henry, Philip Herbert, Larry Holt, William Hoyland, Colin Hunt, Monty Jordan, Michael Josephs, Eiji Kusuhara, Anthony Lang, Arnold Lee, Julius LeFlore, John Maloney, Paul Markham, Richard Marquand, Hilton McRae, Billy J. Mitchell, Amanda Noar, Terry Sach, Errol Shaker, Guy Standeven, Jules Walters, Robert Watts, Paul Weston, Corey Dee Williams, Michael Stevens, Michael McCormick, David Stone, Lynne Hazelden, Paul Springer, Ronny Cush, John Cannon, Larry Ward, Jason Wingreen
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
Director: Ron Howard
Director: Ron Howard
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
Director: George Cukor
Director: George Cukor
SerialSquadron SD Blu-ray
SerialSquadron SD Blu-ray see caps even though in very bad quality is still the best available version
AlphaVideo DVD is a "feature version" and apparently cut different episodes together in one DVD according to this Amazon review
SerialSquadron SD Blu-ray
SerialSquadron SD Blu-ray see caps even though in very bad quality is still the best available version
AlphaVideo DVD is a "feature version" and apparently cut different episodes together in one DVD according to this Amazon review
Director: Bert Stern
Director: Bert Stern
Director: Rob Reiner
Director: Rob Reiner
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Directors: Ernest B. Schoedsack & Merian C. Cooper
Directors: Ernest B. Schoedsack & Merian C. Cooper
More Adventure on Blu-ray
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Director: Josef von Sternberg
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Josef von Sternberg
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Simon Wincer
Kino Lorber Blu-ray
4K is defective with color space issues and poor encoding, disc replacement program for the 4K disc has been setup to correct the color space issue. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has announced a replacement program for the defective UHD but it is highly likely all the other problems will go unaddressed. The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Simon Wincer
Kino Lorber Blu-ray
4K is defective with color space issues and poor encoding, disc replacement program for the 4K disc has been setup to correct the color space issue. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has announced a replacement program for the defective UHD but it is highly likely all the other problems will go unaddressed. The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Alan Crosland
Director: Alan Crosland
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Paramount 4K Blu-ray has the original colour grade
Paramount 4K Blu-ray has the original colour grade
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
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