Biography from TMDB
Supporting role · Director: Tim Burton
Sources: movie-censorship.com (opens in a new tab)
Theatrical Cut: Warner Bros US 2-disc Deluxe Edition DVD set
Extended Cut: Warner Bros Blu-ray
See cut information: https://www.movie-censorship.com/report.php?ID=4167
Theatrical Cut: Cinema DTS
Extended Cut: Warner Bros Blu-ray
Small role · Director: Wolfgang Petersen
Sources: slow.pics (opens in a new tab)
Australia Imprint 4K Blu-ray > 2025 Germany Constantin Film 4K Blu-ray > 2021 Germany Constantin Film 4K Blu-ray caps
Imprint has a FiM encode, DV and lossless audio.
Constantin 2025 has a solid encode, DV but lossy DTS-HD HR audio.
Constantin 2021 has bad encoding, HDR10 only and lossy audio.
Imprint 4K Blu-ray has the best audio among all UHDs
Small role · Directors: Frank Oz & Jim Henson
Shout! Factory's 2.0 is a downmix of the 5.1
Small role · Directors: Tim Burton & Mike Johnson
Sources: slow.pics (opens in a new tab)
Warner Bros 4K Blu-ray caps. Original 1.85 framing restored, much better colors, image detail and a film stock-like tone curve was restored.
Warner Bros HD-DVD has the original 6.1 mix in a better format than the Blu-ray (Dolby Digital Plus instead of standard Dolby Digital), but is still lossy and a disc prone to disc rot. The Blu-ray is a good alternative.
Small role · Director: Ron Howard
Universal 25th Anniversary 4K Blu-ray
(has Dolby Vision and Atmos compared to the old 4K Blu-ray)
Small role · Director: Blake Edwards
The original mono mix has bad pitch and sound quality issues on the Shout! Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.
Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout! Factory Blu-ray does not have pitch issues but the stereo remix does.
Small role · Director: Michael Bay
Theatrical Cut: Paramount 4K Blu-ray
Small role · Director: Mike Hodges
Sources: Criterion Forum (opens in a new tab)
NOT the 4K Blu-ray, laserdisc maybe better?
OOP Arrow LE has a bonus disc
Small role · Director: Richard Marquand
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
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