Battle of Britain (1969)
War, History, Action • 2h 12m
Director: Guy Hamilton
Cast: Harry Andrews, Michael Caine, Trevor Howard, Curd Jürgens, Ian McShane, Kenneth More, Laurence Olivier, Nigel Patrick, Christopher Plummer, Michael Redgrave, Ralph Richardson, Robert Shaw, Patrick Wymark, Susannah York, Michael Bates, Robert Flemyng, Isla Blair, Barry Foster, John Baskcomb, Edward Fox, Tom Chatto, W.G. Foxley, James Cosmo, David Griffin, Jack Gwillim, André Maranne, Myles Hoyle, Anthony Nicholls, Duncan Lamont, Nicholas Pennell, Sarah Lawson, Andrzej Scibor, Mark Malicz, Jean Wladon, Wilfried von Aacken, Reinhard Horras, Karl-Otto Alberty, Helmut Kircher, Alexander Allerson, Paul Neuhaus, Dietrich Frauboes, Malte Petzel, Alf Jungermann, Manfred Reddemann, Peter Hager, Hein Riess, Wolf Harnisch, Rolf Stiefel, Nikki Van der Zyl, Paul Angelis, Graham Armitage, Hilda Barry, Kate Binchy, Ernest Blyth, A. J. Brown, Daniel Brown, Fay Bura, Mary Burleigh, Pauline Chamberlain, Massimo Ciprari, Günter Clemens, John Comer, Les Conrad, Victor Croxford, George Curtis, Basil Dignam, Eric Dodson, Jim Dowdall, Hugh Elton, Harry Fielder, Meriel Forbes, Gareth Forwood, Paddy Frost, Hugh Futcher, Brian Grellis, Michael Guest, Barry Halliday, Paul Hansard, Vincent Harding, Pat Heywood, Stuart Hoyle, Desmond Jordan, Geoffrey King, Jack Le White, Illona Linthwaite, Maureen Lipman, Reg Lye, David McKail, Harald Meister, Rosalind Mendleson, George Merritt, Hilary Minster, Ingo Mogendorf, Richard Morant, Richardson Morgan, Steve Morley, Geoffrey Morris, Norman Morris, Douglas Nottage, Hugo Panczak, Clifford Parrish, Eileen Peel, David Quilter, Pam Rose, George Roubicek, John Savident, Clive Scott, Jack Sharp, Albert Shepherd, Sadie Slade, Kathleen St John, Philip Stewart, Frank Sussman, Nick Tate, John Tatham, Reg Thomason, Chris Tranchell, Joseph Tregonino, Paul Tropea, Rosetta Tropea, Michael Trubshawe, Alan Tucker, Franz Van Norde, Mickey Varey, Dagobert Walter, David Webb, Peter Wesp, Alister Williamson, Fred Wood
About the film
In 1940, the Royal Air Force fights a desperate battle against the might of the Luftwaffe for control of the skies over Britain, thus preventing an attempted Nazi invasion.
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- The Battle of Britain
Director: Jean Vigo
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Video format: UHD Blu-ray
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Sources: Blu-ray.com (opens in a new tab)
(Indicator 4K Blu-ray, based on review)
Director: Otakar Vávra
Sources: Blu-ray.com (opens in a new tab)
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Basil Dearden
Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Guy Hamilton
Video format: 1080p Blu-ray
Director: Guy Hamilton
Director: Guy Hamilton
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Directors: Emeric Pressburger & Michael Powell
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Jack Cardiff
Video format: HD Streaming
HD Streaming
Director: Iain Softley
Director: Steven Shainberg
Director: Akira Kurosawa
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