Fred Wood
13 Films
Fred Wood
13 Included Films
Fred Wood (born 26 October 1922, Rotherhithe, London), died January 2003, was an English actor. Wood was best known for roles in Star Wars (1977), Elephant Man (1980) and From Russia with Love (1963). Wood has appeared in a large number of American films, due to filming taking place partly or entirely in Britain. As a British-based actor and supporting artist, he worked extensively in British films since the late 1940s until 2001 and television since the 1950s. He appeared in a wide range of television shows including Dangerman, Gideon's Way, The Professionals, The Baron and Gone to Seed (1992). From Wikipedia, the free encyclopedia
WB 4K Blu-ray despite some frozen grain
WB 4K Blu-ray despite some frozen grain
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: J. Lee Thompson
Director: Guy Hamilton
Director: Guy Hamilton
Director: Jacques Demy
Kino Lorber OOP Blu-ray or Japan Blu-ray, no comparison available
Director: Jacques Demy
Kino Lorber OOP Blu-ray or Japan Blu-ray, no comparison available
Director: Alfred Hitchcock
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Director: Alfred Hitchcock
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: Richard Attenborough
2025 Sony 4K Blu-ray Steelbook
2025 Sony Steelbook > 2020 Columbia Classics boxset.
1994 Columbia LaserDisc
Director: Richard Attenborough
2025 Sony 4K Blu-ray Steelbook
2025 Sony Steelbook > 2020 Columbia Classics boxset.
1994 Columbia LaserDisc
Germany Capelight 4K (SDR)
(France Rimini Editions 4K has heavy DNR)
Germany Capelight 4K (SDR)
(France Rimini Editions 4K has heavy DNR)
Director: Ron Howard
1988 LaserDisc for the original Dolby Stereo, 5.1 is the same on all Blu-rays
Director: Ron Howard
1988 LaserDisc for the original Dolby Stereo, 5.1 is the same on all Blu-rays
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
13 films