Harry Fielder
17 Films
Harry Fielder
17 Included Films
Henry Arthur Fielder (26 April 1940 – 6 February 2021), sometimes credited as Harry H. Fielder or Harry Aitch Fielder, was an English actor who worked extensively in British film and television from the 1960s to the 1990s. Fielder was born in Islington, London. He appeared as an extra in many American films due to filming taking place partly or entirely in Britain. His film credits include Oliver!, Star Wars: A New Hope, McVicar, and Highlander. He appeared as an extra in a wide range of TV shows including Doctor Who, Blake's 7, Shoestring, The Sweeney, Minder and The Professionals. Fielder co-presented CBTV, a Thames TV programme for younger viewers, in the 1980s where he played the Security Guard, Harry, who Jim Sweeney and Steve Steen would have to sneak past at the gates of Teddington Studios.
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
Director: Guy Hamilton
Director: Guy Hamilton
Director: John Cassavetes
Director: John Cassavetes
Director: Norman Jewison
Director: Norman Jewison
Director: Ken Russell
Spain bootleg Blu-ray https://www.blu-ray.com/movies/The-Devils-Blu-ray/336959/
Director: Ken Russell
Director: Jacques Demy
Kino Lorber OOP Blu-ray or Japan Blu-ray, no comparison available
Director: Jacques Demy
Kino Lorber OOP Blu-ray or Japan Blu-ray, no comparison available
Director: Alfred Hitchcock
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Director: Alfred Hitchcock
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
The original mono mix has bad pitch and sound quality issues on the Shout Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout Factory Blu-ray does not have pitch issues but the stereo remix does.
The original mono mix has bad pitch and sound quality issues on the Shout Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout Factory Blu-ray does not have pitch issues but the stereo remix does.
Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Director: Richard Donner
WB 4K Blu-ray (2025 re-release)
WB 4K Blu-ray (2025 re-release fixed a glitch in the previous discs)
WB 4K Blu-ray (2025 re-release includes lossless 5.1 and better 2.0 compared to previous editions)
Director: Richard Donner
WB 4K Blu-ray (2025 re-release)
WB 4K Blu-ray (2025 re-release fixed a glitch in the previous discs)
WB 4K Blu-ray (2025 re-release includes lossless 5.1 and better 2.0 compared to previous editions)
Director: David Lynch
2020 StudioCanal Britain 4K Blu-ray (but potential problem)
Director: David Lynch
2020 StudioCanal Britain 4K Blu-ray (but potential problem)
Directors: Jim Abrahams & Jerry Zucker & David Zucker
Paramount ZAZ Collection 4K Blu-ray
Paramount ZAZ Collection 4K Blu-ray
Directors: Jim Abrahams & Jerry Zucker & David Zucker
Paramount ZAZ Collection 4K Blu-ray
Paramount ZAZ Collection 4K Blu-ray
Director: Russell Mulcahy
Director: Russell Mulcahy
Director: Brian De Palma
For the Blu-ray mix, maybe the DTS-HD MA from some of the international BDs or the TrueHD on the 4K Blu-ray?
Director: Brian De Palma
For the Blu-ray mix, maybe the DTS-HD MA from some of the international BDs or the TrueHD on the 4K Blu-ray?
17 films