Creepshow 2 (1987)
Horror, Comedy • 1h 29m
Director: Michael Gornick
Cast: Lois Chiles, George Kennedy, Dorothy Lamour, Daniel Beer, Jeremy Green, Page Hannah, Don Harvey, David Holbrook, Holt McCallany, Frank Salsedo, Paul Satterfield, Tom Wright, Tom Savini, Domenick John, Philip Dore, Maltby Napoleon, Tyrone Tonto, Dan Kamin, Dean Smith, Shirley Sonderegger, David Beecroft, Richard Parks, Chere Rae, Joe Silver, Gordon Connell, Marc Stephan Delgatto, Jason Late, P.J. Morrison, Brian Noodt, Clark Utterback
Best English-friendly & video release · updated 1 year ago
Overview
Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.
Director: Brian De Palma
2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set coming October 20th with FiM encode, both the US and the International Cut, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1980 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: George A. Romero
Shout! Factory Blu-ray for the original Dolby stereo, 4K Blu-ray is a downmix
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: Lewis Teague
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
R1 DVD
R1 DVD sounds best and has the original mono and a Dolby Stereo remix
Director: Rob Reiner
US Sony 2023 Steelbook 4K Blu-ray
US Sony 2023 Steelbook Edition 4K Blu-ray
> Sony 2019 Standard Edition 4K Blu-ray
US Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
Original Mono mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray Sony Blu-ray
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
Only the US Steelbook has Dolby Vision
Sources: slow.pics (opens in a new tab)
> Capelight DE 4K Blu-ray (caps)
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Mary Lambert
Paramount Scares Vol. 1 Set 4K Blu-ray
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
> US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Federico Fellini
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
better encoding, some shots are better on Shout! Factory, others on Arrow
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Ron Shelton
Australia Imprint 4K Blu-ray disappointing, nice new master, but poor encode, grain completely crippled in some scenes, artifacts abound, etc, makes Kino Lorber look like FiM.
Director: William Friedkin
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Plaion have also released a BD sourced from Arrow's recent 4K remaster, holds up strongly in comparison https://caps-a-holic.com/c.php?d1=19341&d2=19005&c=5415
Director: Preston Sturges
Director: John Carpenter
Sources: blog.sporv.com (opens in a new tab)
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: Tony Scott
Director: Rob Reiner
Arrow 4K Blu-ray releasing December 14 2026
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has a better encode than the Kino Lorber and Capelight 4K Blu-rays. Capelight 4K Blu-ray looks low-passed in comparison to the Arrow but is slightly closer to the Arrow in PQ than the Kino Lorber.
More Horror on Blu-ray
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Director: Guillermo del Toro
WB 4K Blu-ray teased by Guillermo Del Toro
CA Alliance Blu-ray or dutch Blu-ray are the same masters but have additional sharpening.
The original DVD has an isolated score and a exclusive easter egg
Director: Roman Polanski
> Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · Reddit (opens in a new tab) · dvdexotica.com (opens in a new tab)
Criterion 4k resto, but it was AI upscaled although supervised and approved by Lynch https://www.reddit.com/r/davidlynch/comments/12klbw9/inland_empire_and_ai_upscaling/
See another detailed review: https://www.dvdexotica.com/2015/05/lets-get-serious-about-inland-empire.html
Director: Frank Oz
Theatrical Cut: Warner Bros 4K Blu-ray
Director's Cut: Warner Bros Blu-ray
The 4K Blu-ray has both a poor Dolby Atmos remix and the original theatrical Dolby Stereo mix in its best fidelity but only for the Theatrical Cut.
The Blu-ray has a 5.1 remix for the Director's Cut that, while inferior to the original theatrical Dolby Stereo mix, is still far superior to the Dolby Atmos remix on the 4K Blu-ray, and is the best option for the Director's Cut.
Only the DVD has the isolated score.
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