Stephen King Adaptations

Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.

No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.

The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray. 

Shout! Factory Blu-ray for the original Dolby stereo, 4K Blu-ray is a downmix

UK Arrow 4K Blu-ray > disappointing US Kino Lorber 4K Blu-ray

UK Arrow 4K Blu-ray / R1 Lionsgate DVD sounds best and has the original mono and the R1 Lionsgate DVD has a Dolby Stereo remix

Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar

US Sony 2023 Steelbook Edition 4K Blu-ray > Sony 2019 Standard Edition 4K Blu-ray

US Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras

DVD and Blu-ray both have lossy Mono

The DVD has an isolated score track 
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono

Only the US Steelbook has Dolby Vision

Paramount US 4K Blu-ray > Capelight DE 4K Blu-ray (caps)

Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.

Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary

UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.

The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here. 

The 4K master has a shot at the very end of the movie (on James Caan's face) that looks incredibly soft and not good at all. This was visible on the DCP as well so it might just be a source issue rather than being the fault of Kino, Capelight or Arrow.

(the 2021 4K's 5.1 was flawed, with unnecessary bad tweaking)