Night Moves (1975)
Crime, Mystery, Drama, Thriller • 1h 40m
Overview
Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.
Director: Arthur Penn
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Lewis Gilbert
Director: Lewis Gilbert
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Arthur Penn
Director: Arthur Penn
Director: Arthur Penn
Director: Arthur Penn
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Guillermo del Toro
Currently streaming on Netflix
Criterion 4K Blu-ray scheduled for October 2026 release
Currently streaming on Netflix
Director: Guillermo del Toro
Currently streaming on Netflix
Criterion 4K Blu-ray scheduled for October 2026 release
Currently streaming on Netflix
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Bill Forsyth
The UK Blu-ray is a marginally better encode than the Criterion, with better preseveration of detail: https://caps-a-holic.com/c_list.php?c=5302
The Criterion Blu-ray presents the original mono mix. Most other Blu-rays and DVDs are remixed either to stereo or 5.1 surround, with loss of detail and very little actual separation.
Director: Bill Forsyth
The UK Blu-ray is a marginally better encode than the Criterion, with better preseveration of detail: https://caps-a-holic.com/c_list.php?c=5302
The Criterion Blu-ray presents the original mono mix. Most other Blu-rays and DVDs are remixed either to stereo or 5.1 surround, with loss of detail and very little actual separation.
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Katsuhiro Otomo
Japan 4K Blu-ray beats the other 4Ks and includes English subtitles
Dynit IT Blu-ray
All 4K releases are upscales of the same master with a substantial amount of DNR.
1988 Pioneer JP LaserDisc for the original 1988 home video audio
2001 Dynit IT Blu-ray for the 2001 remix
2009 Bandai Visual JP Blu-ray / 2011 MHE UK Blu-ray for the Hypersonic remix
1992 Criterion US LaserDisc for the 1988 Streamline English dub
2013 FUNimation US Blu-ray the 2001 Animaze English dub
Due to budgetary constraints, the original theatrical mix was mono. It was replaced with Dolby Surround for all subsequent releases and was never re-released.
LaserDisc is the best souning version of the original home video mix, as all later releases attentuate bass significantly and lower dynamic range. Comparison
The Japanese audio was remixed in 5.1 twice, first time in 2001 for the DVD release, and second time in 2009 for the BD release ("Hypersonic" remix). While the 2001 remix remains mostly faithful to the 1988 mix, the 2009 Hypersonic remix is highly revisionistic. However, its fidelity is outstanding, and despite many changes made, it's a worthwhile alternative experience for fans of the film. The 4K release includes the Hypersonic mix, but with a tonne of unnecessary noise reduction and unbalanced levels.
Comparison between mixes, list of changes between mixes
Director: Katsuhiro Otomo
Japan 4K Blu-ray beats the other 4Ks and includes English subtitles
Dynit IT Blu-ray
All 4K releases are upscales of the same master with a substantial amount of DNR.
1988 Pioneer JP LaserDisc for the original 1988 home video audio
2001 Dynit IT Blu-ray for the 2001 remix
2009 Bandai Visual JP Blu-ray / 2011 MHE UK Blu-ray for the Hypersonic remix
1992 Criterion US LaserDisc for the 1988 Streamline English dub
2013 FUNimation US Blu-ray the 2001 Animaze English dub
Due to budgetary constraints, the original theatrical mix was mono. It was replaced with Dolby Surround for all subsequent releases and was never re-released.
LaserDisc is the best souning version of the original home video mix, as all later releases attentuate bass significantly and lower dynamic range. Comparison
The Japanese audio was remixed in 5.1 twice, first time in 2001 for the DVD release, and second time in 2009 for the BD release ("Hypersonic" remix). While the 2001 remix remains mostly faithful to the 1988 mix, the 2009 Hypersonic remix is highly revisionistic. However, its fidelity is outstanding, and despite many changes made, it's a worthwhile alternative experience for fans of the film. The 4K release includes the Hypersonic mix, but with a tonne of unnecessary noise reduction and unbalanced levels.
Comparison between mixes, list of changes between mixes
Edit History
