The Fugitive (1993)
Action, Thriller, Drama • 2h 11m
Director: Andrew Davis
Cast: Harrison Ford, Tommy Lee Jones, Joe Pantoliano, Jeroen Krabbé, Daniel Roebuck, L. Scott Caldwell, Tom Wood, Ron Dean, Joseph F. Kosala, Andreas Katsulas, Sela Ward, Julianne Moore, Miguel Nino, John Drummond, Tony Fosco, Joseph F. Fisher, James Liautaud, David Darlow, Tom Galouzis, James F. McKinsey, Mark D. Espinoza, John E. Ellis, Gene Barge, Thomas Charles Simmons, Joe Guzaldo, Dick Cusack, Nicholas Kusenko, Joan Kohn, Joe Guastaferro, Andy Romano, Richard Riehle, Thom Vernon, Ken Moreno, Eddie Bo Smith Jr., Frank Ray Perilli, Otis Wilson, Pancho Demmings, Jim Wilkey, Danny Goldring, Nick Searcy, Kevin Crowley, Michael James, Michael Skewes, Ila Cathleen Stallings, Linda Casaletto, Cody Glenn, Cynthia Baker, Johnny Lee Davenport, Mike Bacarella, Bill Cusack, David U. Hodges, Lillie Richardson, Peter J. Caria IV, Monika Chabrowski, Lonnie Sima, Oksana Fedunyszyn, Orlando García, Afram Bill Williams, Bruce L. Gewertz, Jane Lynch, Joseph Rotkvich, Steven Lilovich, Noelle Bou-Sliman, Roxanne Roberts, Alex P. Hernandez, Theron Touché Lykes, Joel Robinson, Greg Hollimon, Cheryl Lynn Bruce, Marie Ware, Bernard McGee, Ann Whitney, Lily Monkus, Willie Lucas, Turk Muller, Ana María Alvarez, Eugene F. Crededio, Maurice Person, Terry Hard, Pam Zekman, David Pasquesi, Brent Shaphren, Stephen A. Landsman, B.J. Jones, Dru Anne Carlson, Margaret Moore, Manny Lopez, John M. Watson Sr., Kirsten Nelson, Juan Ramírez, Neil Flynn, Allen Hamilton, Eric Fudala, Lester Holt, Jay Levine, Sal Richards, Darren W. Conrad, Kevin Mukherji, John-Clay Scott, Suzy Brack, Tighe Barry
Best English-friendly & video release · updated 4 months ago
UHD tiers
Overview
Wrongfully convicted of murdering his wife and sentenced to death, Richard Kimble escapes from the law in an attempt to find the real killer and clear his name.
Director: Andrew Davis
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Arrow 4K Blu-ray see caps
It's weird. Brightly lit scenes have zero grain. They look plenty detailed and not at all waxy and lifeless, but there's no grain. Darker scenes have a fine layer of it as befits the general rule of thumb with film. Either they shot this on the 50-speed EXR stock of the day - virtually grainless in the right conditions - or it's been expertly 'grain managed'. I say 'expertly' becuz there's no trailing artefacts, no sticky grain that I can see, it's some of the best such treatment I've ever seen. And IF it has been I can only think the edict came down from the director himself.
Arrow 4K Blu-ray omitted the original 5.1 track for a 2.0 and Atmos.
US DVD has the DD5.1
For Stereo track: Warner Home Video JPN LaserDisc [NJWL-12420]
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Roman Polanski
Director: Michael B. Jordan
Caveat: No IMAX expanded aspect ratio
Director: James Gunn
Commentary is only on Streaming
Warner Bros 4K Blu-ray (includes Extended Cut on regular Blu-ray)
Original theatrical 6.1 mix: 2009 Warner Bros Blu-ray Ultimate Edition (Theatrical Cut only)
Extended Cut 5.1 mix: Warner Bros Blu-ray
DTS:X remix: Warner Bros 4K Blu-ray
The film is titled Sorcerer's Stone in the US, India, and the Philippines.
Wizard's/Hogwarts Collection has all the bonus features for all the 8 films.
The lossless version of the original 6.1 mix is only available on the ultimate edition blu-ray not to be confused with the ultimate collectors edition blu-ray.
More Action on Blu-ray
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
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