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Andrew Davis

Andrew Davis

2 Films

Andrew Davis

2 Included Films

Andrew Davis photo

Andrew Davis (born November 21, 1946) is an American film director, producer and cinematographer, noted for the action films Code of Silence, The Fugitive, Chain Reaction, Collateral Damage, Above the Law and Under Siege. Born on the south side of Chicago, Illinois, Davis has directed several films using Chicago as a backdrop. He is the son of actor Nathan Davis and Metta Davis and the brother of musician Richard "Richie" Peter Davis co-founder of the cover band Chicago Catz and Jo Ellen Friedman. After attending Harand Camp of the Theater Arts and Bowen High School, Davis went on to study journalism at the University of Illinois at Urbana-Champaign. It was not long before his interest in civil rights and anti-war issues converged with his growing interest in film-making. Davis was mentored by acclaimed cinematographer Haskell Wexler with whom he worked on Medium Cool and began his film career as a cameraman on blaxploitation films like The Hit Man, Cool Breeze and The Slams in the 1970s. His first feature film as a director was the semi-biographical story, Stony Island. Davis has gone on to direct such films as The Fugitive, Under Siege, Above the Law (both starring Steven Segal), Code of Silence, Holes, The Package and The Guardian. Davis also directed the cutscenes for the videogame Splinter Cell: Chaos Theory. In October 2006, he told a London press conference that he intends to make a film fusing the novels Don Quixote by Miguel de Cervantes and Tom Jones by Henry Fielding. Description above from the Wikipedia article Andrew Davis (film director), licensed under CC-BY-SA, full list of contributors on Wikipedia

Under Siege poster
UHD Blu-ray
Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray  see caps

Geoff D impressions 

It's weird. Brightly lit scenes have zero grain. They look plenty detailed and not at all waxy and lifeless, but there's no grain. Darker scenes have a fine layer of it as befits the general rule of thumb with film. Either they shot this on the 50-speed EXR stock of the day - virtually grainless in the right conditions - or it's been expertly 'grain managed'. I say 'expertly' becuz there's no trailing artefacts, no sticky grain that I can see, it's some of the best such treatment I've ever seen. And IF it has been I can only think the edict came down from the director himself.

Best Audio:

Arrow 4K Blu-ray omitted the original 5.1 track for a 2.0 and Atmos.US DVD has the DD5.1For Stereo track: Warner Home Video JPN LaserDisc [NJWL-12420]

Under Siege poster
UHD Blu-ray
English-Friendly:

Arrow 4K Blu-ray

Video:

Arrow 4K Blu-ray  see caps

Geoff D impressions 

It's weird. Brightly lit scenes have zero grain. They look plenty detailed and not at all waxy and lifeless, but there's no grain. Darker scenes have a fine layer of it as befits the general rule of thumb with film. Either they shot this on the 50-speed EXR stock of the day - virtually grainless in the right conditions - or it's been expertly 'grain managed'. I say 'expertly' becuz there's no trailing artefacts, no sticky grain that I can see, it's some of the best such treatment I've ever seen. And IF it has been I can only think the edict came down from the director himself.

Audio:

Arrow 4K Blu-ray omitted the original 5.1 track for a 2.0 and Atmos.US DVD has the DD5.1For Stereo track: Warner Home Video JPN LaserDisc [NJWL-12420]

The Fugitive poster
UHD Blu-ray
Best English-Friendly:

WB 4K Blu-ray

Best Video:

WB 4K Blu-ray

The Fugitive poster
UHD Blu-ray
English-Friendly:

WB 4K Blu-ray

2 films

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