DVD
Type: Format
Page 47 of 53
Films where DVD is in a pick or an upcoming release.
Director: Hou Hsiao-hsien
Fox Lorber DVD or new restoration unreleased
Sources: fareastfilm.com (opens in a new tab)
New resto, no discs https://www.fareastfilm.com/eng/news/far-east-film-festival-26/?IDLYT=13308
Director: George P. Cosmatos
Disney 4K Blu-ray for the 4K Theatrical Cut or 2002 Vista Series DVD for the Director's Cut
Sources: caps-a-holic (opens in a new tab) · lddb.com (opens in a new tab)
Theatrical Cut: Disney 4K Blu-ray caps
Director's Cut: 2002 Vista Series DVD, alleycat's DC restoration better
Alleycat's DC restoration better
Closest to original: 1994 Hollywood Pictures LaserDisc
Other LDs are probably the same
Blu-rays only have 5.1 upmixes but probably fine
2023 Criterion 4K Blu-ray (bad compression) / Curzon 4K Blu-ray (visible chroma noise and meh compression)
Sources: Criterion Forum (opens in a new tab)
Miramax DVD?
Director: Wong Kar-Wai
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Criterion 4K Blu-ray has original SDR master while Plaion Germany and France has a subtle additional HDR-regrade. Either one is good depending on user preference.
Important to note, Criterion 4K Blu-ray still has different color timing from 2008 Criterion Blu-ray see https://caps-a-holic.com/c.php?go=1&a=0&d1=15680&d2=15679&s1=165346&s2=165329&i=10&l=0
Original mono is on the 1996 Japan DVD and 2005 Spain Boxset DVD. But 2008 Criterion Blu-ray’s 5.1 remix at least is in the correct pitch. All 5.1 tracks on later 4K-resto BDs have a raised pitch. Furthermore, the 2008 5.1 and 4K-resto 5.1 differ in content in the scene where Tony Leung drinks coffee in slow-mo, with the 2008 version having only background / ambient sound, while the 4K-resto version plays Faye Wong’s song. Note that it's quite easy to pitch correct the 4K-resto 5.1 to match the original pitch and only a delay adjustment is needed to sync.
Director: Quentin Tarantino
2025 Taiwan Deltamac 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
2025 Taiwan Deltamac 4K Blu-ray > US Paramount 4K Blu-ray (Taiwan 4K Blu-ray is not low passed as the US 4K Blu-ray and has better grain and fine detail retention)
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Ron Howard
Theatrical: Universal 4K Blu-ray
IMAX Cut: 2005 DVD
Theatrical: Cinema DTS
Director: Michael Almereyda
DVD
Sources: grasshopperfilm.com (opens in a new tab)
Various DVD available
Grasshopper and Arbelos has a new 4K restoration of director's cut
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: US ADV Perfect Collection DVD Box Set
Original broadcast versions of E21-24: US ADV Platinum Edition DVD Box Set
Sources: x.com (opens in a new tab) · movie-censorship.com (opens in a new tab)
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Japan 1999 DVD for the original LaserDisc/VHS master (all "remastered" releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Japan King Records Blu-ray Comparison of both cuts for each episode
US ADV Perfect Collection DVD Box Set uses the same master as the Japan 1999 DVD, but it's at a lower bitrate and slightly altered colour grading
Director: David Fincher
2025 WB 4K Blu-ray or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
Sources: Blu-ray.com (opens in a new tab) · notonbluray.com (opens in a new tab)
2025 WB 4K Blu-ray, better detail and everything, or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
4K caveat: A variety of VFX set pieces and touch-ups were added in scenes throughout the film, probably for continuity or consistency, although they might be unnecessary or revisionist. Clouds are added to clear sky of the last act.
AI is used to fix an unwanted camera movement in one scene.
some shots had been further stabilized, resulting in strange motion blur.
Also has missing dialog intact.
But it can be argued that the Warner Bros 4K Blu-ray 5.1 (remix) is technically a better mix.
More info on the different color grades over the years: https://notonbluray.com/blog/the-case-of-se7en/
Director: Martin Scorsese
2019 Universal 4K Blu-ray
Sources: slow.pics (opens in a new tab)
France Seven7 has Dolby Vision and Atmos unlike the US disc but was most likely encoded in the wrong color space
Cinema DTS, Blu-ray 5.1, DVD 5.1
Director: Michael Mann
Theatrical Cut: Old Warner Bros DVD or fan restoration
Sources: fanrestore.com (opens in a new tab)
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
LaserDisc 2.0 (restores censored dialog). Comparison of 5.1 mixes
For the 5.1: LaserDisc AC3 vs US DVD AC3 vs Japan DVD DTS
Director: Stuart Baird
US Cut: old Warner Bros DVD (first pressing from 1997, pre 2010), alleycat's preservation better
International Cut (censored): Warner Bros Blu-ray
Sources: movie-censorship.com (opens in a new tab)
International Cut changes: https://www.movie-censorship.com/report.php?ID=2965833
Director: David Twohy
Sources: Blu-ray.com (opens in a new tab)
Lionsgate 4K Blu-ray has terrible compression, but still beats out the old disc which was sourced from a mediocre old scan with edge enhancement, and which has compression issues of its own.
Original 5.1 mix: 1997 Pioneer LaserDisc or 1997 Live Entertainment NTSC DVD
Original matrixed Dolby Stereo mix: Lionsgate 4K Blu-ray
The film originally premiered with two mixes, a 5.1 for upgraded theaters, and a distinct matrixed Dolby Stereo mix for older venues. The original 5.1 mix can only be found on the earliest LD/DVD releases, as all later releases replace it with a mediocre 7.1 mix with reduced dynamic range.
The Atmos mix is based off of the previous 7.1 remix, but with futher alterations as per director's wishes. One scene intentionally drops out into silence, see this post for details.
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