Blu-ray

The Kino Lorber 4K Blu-ray has poor encoding and auto cleanup issues

Twilight Time has an isolated score

Arrow Blu-ray has better encode than Criterion

The audio track on the new 4K restoration sounds flat and lifeless, both its low and high frequencies were significantly attentuated.

But not English friendly.

WB has HD Streaming on multiple platforms, but no home release.

International Fox Blu-ray has the best encoding and the OAR of 1.85.1.

France LCJ Editions 4K Blu-ray is worse than Blu-ray - caps. Upscale from the BD with fake grain and horrendously encoded. AI enhancement is also present.

International Fox Blu-ray has the best encoding and the OAR of 1.85.1.

> Criterion Blu-ray see https://forum.blu-ray.com/showpost.php?p=20064984&postcount=23 

Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix

• Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)

• Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed

• MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic

• MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics

• Koch Media DE BD had poor dynamics and wrong pitch

• Analog 1986 US LaserDisc sounds poor
  

Perhaps the digital JP LD would be better.

France steelbook is prone to rot and 2014 Italy disc is 1080i

Nicolas review

Italy Koch Media Blu-ray is not stretched compared to US Shout! Factory and UK Arrow Blu-rays

As for the color grade, unsure whether the Italy or US/UK Blu-ray is more accurate to the theatrical colors.

Arrow Blu-ray has lossless original stereo

Shout! Factory Blu-ray has the most extras with a lossless isolated score

UK Arrow 4K Blu-ray see AVForum review

The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.

Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.

... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar