Criterion

Criterion DVD for the original Dolby Stereo (lossless). 5.1 upmix on BDs is fine, DTS:X is revisionistic

Criterion Blu-ray has extras not found on the Universal 4K Blu-ray

2017 StudioCanal Blu-ray might(?) be the same.

Both Arrow 4K Blu-ray and Shout! Factory 4K Blu-ray are worse.

Correct grade and archival extras missing from the Shout! Factory 4K Blu-ray

Criterion USA LaserDisc [CC1397L]: Original Cantonese mono.

Best Cantonese mono still was from Criterion LaserDisc, as the Shout one was boosted with clipping, with some filtering and losing dynamic range over the Criterion LD.

There’s no need for other Cantonese audio, as all 5.1 remixes are extremely bad and not worth including.

For English Dub the Shout offered the best, it was pure mono. All other 5.1 remixed of said dub are also terrible and offer no value, only less fidelity and more echo.

More info.

StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.

Both tracks on the Kino Lorber 4K Blu-ray are badly remixed.

But compression is not very good. The two cuts are (by mistake?) separate videos on one disc.

Also see review

> Shout! Factory 4K Blu-ray

UK Arrow 4K Blu-ray see AVForum review

The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.

Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.

... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar

Criterion LaserDisc includes an exclusive commentary, which was later banned by EON and caused the release to be recalled.

Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse

Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors

Criterion and Optimum Blu-rays have exclusive extras

Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT

Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.

Arrow and Criterion 4K Blu-rays have differing extras 

Criterion has FEL Dolby Vision, Arrow has MEL

Arrow Limited Edition includes the Theatrical Cut Blu-ray from an older HD master, most likely from a 2K scan of an interpositive.

2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding

Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD

> Criterion 4K Blu-ray. 

StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.

Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL

1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html

Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.

The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.

The UHD has audible artifacting and sounds metallic.

> US Paramount 4K Blu-ray (Taiwan 4K Blu-ray is not low passed as the US 4K Blu-ray and has better grain and fine detail retention)

Only 2022 'Ultimate Collection' has dolby vision. 2022 ‘Ultimate Collection’ also has a higher average bitrate.