Phantom of the Paradise (1974)
Music, Comedy, Horror, Fantasy, Drama, Romance, Thriller • 1h 31m
Director: Brian De Palma
Cast: William Finley, Paul Williams, Jessica Harper, George Memmoli, Gerrit Graham, Archie Hahn, Jeffrey Comanor, Peter Elbling, Colin Cameron, David Garland, Gary Mallaber, Art Munson, Mary Margaret Amato, Rand Bridges, Jim Bohan, Herb Pacheco, Jennifer Ashley, Janit Baldwin, Janus Blythe, Katherine Mastellos, Robin Mattson, Patrice Rohmer, Cheryl Smith, April Troy, Walter Foster, Peter Harrell, Troy Haskins, Gene Gross, Henry Calvert, Ken Carpenter, Sam Forney, Leslie Brewer, Celia Derr, Linda Larimer, Roseanne Romine, Nydia Amagas, Sara Ballantine, Kristi Bird, Cathy Buttner, Linda Cox, Jane DeFord, Bibi Hansen, Robin Jeep, Deen Summers, Judy Washington, Susan Weiser, Janet Savarino, Jean Savarino, Keith Allison, Bobby Birkenfeld, Sandy Catton, William Donovan, Scott Edmund Lane, Dennis Olivieri, Adam Wade, Nancy Moses, Diana Walden, Sherri Adeline, Carol O'Leary, Marty Bongfeldt, Coleen Crudden, Bridgett Dunn, William Shephard, Angelyne, Greg Bransom, Shelly Desai, Paul Hirsch, Rod Serling
Best English-friendly release · updated 1 year ago
Overview
Fledgling singer-songwriter Winslow Leach finds himself double-crossed by the nefarious music producer Swan, who steals both his music and the girl Winslow wants to sing it, Phoenix, for the grand opening of his new rock palace, the Paradise. After Swan has Winslow sent to prison for trespassing, Winslow endures a freak accident that leaves him disfigured and seeking revenge.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has a better encode than the Kino Lorber and Capelight 4K Blu-rays. Capelight 4K Blu-ray looks low-passed in comparison to the Arrow but is slightly closer to the Arrow in PQ than the Kino Lorber.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Brian De Palma
Sources: slow.pics (opens in a new tab)
Radiance 4K Blu-ray see caps vs Arrow
Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
Director: Brian De Palma
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
2022 Criterion 4K Blu-ray
Director: George Pavlou
Arrow 4K Blu-ray teased
Germany Wicked Vision 4K Blu-ray better than US Kino Lorber?
Director: Bruce Robinson
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has stronger encode than Criterion
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Federico Fellini
Director: Lewis Teague
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
R1 DVD
R1 DVD sounds best and has the original mono and a Dolby Stereo remix
Director: Ron Shelton
Australia Imprint 4K Blu-ray disappointing, nice new master, but poor encode, grain completely crippled in some scenes, artifacts abound, etc, makes Kino Lorber look like FiM.
More Music on Blu-ray
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Video format: 1080p Blu-ray
Shout Factory Blu-ray
Shout's BD has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.
Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
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· last reviewed 1 year ago
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