They Were Expendable (1945)
Drama, War • 2h 15m
Director: John Ford
Cast: Robert Montgomery, John Wayne, Donna Reed, Jack Holt, Ward Bond, Marshall Thompson, Paul Langton, Leon Ames, Arthur Walsh, Donald Curtis, Cameron Mitchell, Louis Jean Heydt, Jeff York, Murray Alper, Harry Tenbrook, Jack Pennick, Alex Havier, Charles Trowbridge, Robert Barrat, Bruce Kellogg, Tim Murdock, Russell Simpson, Vernon Steele, Robert Emmett O'Connor, Philip Ahn, Steve Barclay, Betty Blythe, Danny Borzage, Al Bridge, George Bruggeman, James Carlisle, Jack Carrington, Bruce Carruthers, Tony Carson, Jack Cheatham, Fred Coby, Roger Cole, Jane Crowley, Henry H. Daniels Jr., William B. Davidson, Marjorie Davies, Larry Dods, William 'Red' Donahue, Frank Eldredge, John Epper, Jim Farley, Charles Ferguson, Lee Tung Foo, Art Foster, Almeda Fowler, Mary Jane French, Jon Gilbreath, James Gonzalez, Duke Green, Sherry Hall, Stuart Hall, Robert Homans, Michael Kirby, Michael Kostrick, Paul Kruger, Stubby Kruger, Jack Lee, Jack Lorenz, Leota Lorraine, Jack Luden, James Magill, George Magrill, Eve March, Maurice Marks, Kermit Maynard, Merrill McCormick, Frank McGrath, Leonard Mellin, Robert Milasch, Henry Mirelez, Jack Mower, Charles Murray Jr., Forbes Murray, Bill Neff, Bill Nind, Wedgwood Nowell, Franklin Parker, Frank Pershing, Nino Pipitone Jr., Dan Quigg, Joey Ray, William McKeever Riley, Jack Ross, John Roy, Harold Schlickenmayer, Phil Schumacher, Jack Semple, Sam Simone, Reginald Simpson, Leslie Sketchley, Ralph Soncuya, Larry Steers, Sammy Stein, Jack Stoney, Robert Strong, Bob Thom, Richard Thorne, Brad Towne, Jack Trent, Tom Tyler, Emmett Vogan, Eleanore Vogel, Hansel Warner, Billy Wilkerson, Roque Ybarra Jr.
Best video release
About the film
After a demonstration of new PT boats, navy brass are still unconvinced of their viability in combat, leaving Lt. "Rusty" Ryan frustrated. After the attack on Pearl Harbor, however, Ryan and his buddy Lt. Brickley are told they can finally take their squadron into battle. The PT boats quickly prove their worth, successfully shooting down Japanese planes, relaying messages between islands, and picking off a multitude of enemy ships.
- TSPDT
- 2026: #8682025: #8622024: #8442023: #8282022: #828
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: John Ford
Sources: bsky.app (opens in a new tab)
Crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
Sources: x.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: John Ford
Sources: slow.pics (opens in a new tab)
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
More Drama on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Sidney Lumet
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is an FiM encode
Edit history
No edit history available
Maintained by the community
· last reviewed 1 year ago
Every recommendation follows the same method — how these calls are made.