Best English-friendly release · updated 1 year ago
Overview
After leaving the asylum, Vincent van Gogh settles in the home of Doctor Gachet, where he keeps painting amidst the torments of his failing mental health. He begins an affair with his host’s daughter, however, she soon realizes that he doesn’t love her and that his heart beats only for art.
Director: Maurice Pialat
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Gaumont France Blu-ray with english subtitles.
The source from Eclair lab has their usual teal tint see BD provided extras for before and after https://slow.pics/c/GEOvltF0
Director: Maurice Pialat
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Flicker Alley 4K confirmed for 2027 https://forum.blu-ray.com/showpost.php?p=24404584&postcount=1
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Director: Louis Feuillade
Director: John Frankenheimer
Director: Hal Ashby
Director: Josef von Sternberg
Sources: DVDBeaver (opens in a new tab)
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: F. W. Murnau
Video format: 1080p Blu-ray
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
More Drama on Blu-ray
Director: Gus Van Sant
Sources: slow.pics (opens in a new tab)
Shout! Factory and Carlotta use the same scan https://slow.pics/c/Wcn5YFlw, the Carlotta has two extra bonus features
Director: Anthony Mann
Video format: 1080p Blu-ray
Olive Blu-ray
Barebones Olive BD of a Paramount HD master. Visually it's solid overall with some moments of great clarity, primarily in the big outdoor and aviation sequences. Otherwise it shows its age.
Video format: 1080p Blu-ray
Shout Factory Blu-ray
Shout's BD has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino BD is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The BD does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: Alan Clarke
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
The 88 Films 4K Blu-ray is disappointing. Indicator Blu-ray > 88 Films Blu-ray. From nicolas:
Fine master, solid HDR but very poorly encoded with strong blocking artifacts in normal areas and clipped highlights that bring Criterion’s Walkabout to mind. Their Blu-ray is slightly better overall but then again still not as good as FiM’s encode for Indicator.
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
Director: Luis Buñuel
Sources: Criterion Forum (opens in a new tab)
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· last reviewed 1 year ago
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