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Best English-friendly & video release · updated 4 days ago
Overview
Air Force reservist Lt. Col. Robert "Dutch" Holland is recalled into active duty at the peak of his professional baseball career.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Eureka MOC Blu-ray
The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino in encode and extras making it easily the only version to consider.
Director: Anthony Mann
Video format: 1080p Blu-ray
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion Blu-ray upgrade removes the pictureboxing of their old DVD transfer. New HD discussion extra added to the DVD supplements package and reprints the rare out of print source novel as a paperback.
Video format: 1080p Blu-ray
Shout Factory Blu-ray
Shout's BD has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino BD is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The BD does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
More Action on Blu-ray
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Alex Proyas
Paramount 4K Blu-ray (30th anniv.)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: John Milius
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
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