The Tiger of Eschnapur (1959)
Der Tiger von Eschnapur
Adventure, Drama, Romance • 1h 41m
Overview
In Eschnapur, a German architect saves the life of the Maharajah's favorite temple dancer and becomes Maharajah's friend but their friendship is tested when the architect and the dancer fall in-love, triggering the Maharajah's vengeful ire.
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino Lorber
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino Lorber
Director: Fritz Lang
MoC vs Kino Lorber Blu-ray?
MoC vs Kino Lorber Blu-ray?
Director: Fritz Lang
MoC vs Kino Lorber Blu-ray?
MoC vs Kino Lorber Blu-ray?
Director: Fritz Lang
Kino Lorber vs MoC?
Kino Lorber and MoC same resto, no comparison
Director: Fritz Lang
Kino Lorber vs MoC?
Kino Lorber and MoC same resto, no comparison
Director: Fritz Lang
Imprint Blu-ray not only has the best encoding, but also has the "correct" aspect ratio compared to ClassicFlix which is horizontally stretched or Eagle Pictures which is squished see DVDBeaver caps
Director: Fritz Lang
Imprint Blu-ray not only has the best encoding, but also has the "correct" aspect ratio compared to ClassicFlix which is horizontally stretched or Eagle Pictures which is squished see DVDBeaver caps
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Stanley Kwan Kam-Pang
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR)
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR). nic’s review
Director: Stanley Kwan Kam-Pang
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR)
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR). nic’s review
Director: Bille August
Director: Bille August
Director: Zhang Yimou
Korea Nova Media Blu-ray, or Imprint Boxset Blu-ray
Film Movement Blu-ray release soon
Director: Zhang Yimou
Korea Nova Media Blu-ray, or Imprint Boxset Blu-ray
Film Movement Blu-ray release soon
Director: Takeshi Kitano
Not sure about US Film Movement Blu-ray The Germany Capelight and UK Third Window releases both use the same transfer. The Japan Bandai Visual release appears to be the same transfer but has more information on the sides. https://caps-a-holic.com/c.php?go=1&a=0&d1=16038&d2=7573&s1=170548&s2=71994&i=0&l=0
Director: Takeshi Kitano
Not sure about US Film Movement Blu-ray The Germany Capelight and UK Third Window releases both use the same transfer. The Japan Bandai Visual release appears to be the same transfer but has more information on the sides. https://caps-a-holic.com/c.php?go=1&a=0&d1=16038&d2=7573&s1=170548&s2=71994&i=0&l=0
Director: Bille August
Director: Bille August
Director: Nanni Moretti
Director: Nanni Moretti
Director: Tsai Ming-liang
US Film Movement new 2k restoration
Director: Tsai Ming-liang
US Film Movement new 2k restoration
More Adventure on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Directors: Jules Bass & Arthur Rankin, Jr.
Directors: Jules Bass & Arthur Rankin, Jr.
Edit History
12/20/2024
