The Oyster Princess (1919)
Die Austernprinzessin
Comedy • 58m
Overview
A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.
Director: Ernst Lubitsch
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
Director: Ernst Lubitsch
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Kino Lorber Blu-ray or Germany Blu-ray but no comparison available
Germany Blu-ray lacks English subtitles. Kino Lorber Blu-ray has English subtitles but is OOP
Kino Lorber Blu-ray retains both the French and German dialogue in their native languages.
Kino Lorber Blu-ray or Germany Blu-ray but no comparison available
Germany Blu-ray lacks English subtitles. Kino Lorber Blu-ray has English subtitles but is OOP
Kino Lorber Blu-ray retains both the French and German dialogue in their native languages.
Director: John M. Stahl
Indicator Blu-ray is encoded by FiM and likely better than Kino Lorber Blu-ray
Director: John M. Stahl
Indicator Blu-ray is encoded by FiM and likely better than Kino Lorber Blu-ray
Director: Fritz Lang
Director: Fritz Lang
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Guy Hamilton
Director: Guy Hamilton
Director: Sidney Lumet
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Criterion Blu-ray/4K Blu-ray
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Sidney Lumet
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Criterion Blu-ray/4K Blu-ray
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Bert Stern
Director: Bert Stern
More Comedy on Blu-ray
Undercrank Blu-ray new 2K restoration
Undercrank Blu-ray new 2K restoration
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Undercrank Blu-ray 4K scan of 35mm nitrate print
Undercrank Blu-ray 4K scan of 35mm nitrate print
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
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