The Land Beyond the Sunset (1912)
Fantasy, Drama • 14m
Overview
A poor young boy goes on a field trip and dreams of escaping to a land beyond the sunset.
Director: Harold M. Shaw
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Martin Ritt
Director: Martin Ritt
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: John Cassavetes
Director: John Cassavetes
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Richard Linklater
Director: Richard Linklater
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Louis J. Gasnier
Official SD Streaming on NFPF https://www.filmpreservation.org/preserved-films/screening-room/maytime-1923
Official SD Streaming on NFPF https://www.filmpreservation.org/preserved-films/screening-room/maytime-1923 Four out of the original seven reels had survived
Director: Louis J. Gasnier
Official SD Streaming on NFPF https://www.filmpreservation.org/preserved-films/screening-room/maytime-1923
Official SD Streaming on NFPF https://www.filmpreservation.org/preserved-films/screening-room/maytime-1923 Four out of the original seven reels had survived
Director: Frank Shaw
Official HD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/the-oath-of-the-sword-1914
Official HD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/the-oath-of-the-sword-1914
Director: Frank Shaw
Official HD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/the-oath-of-the-sword-1914
Official HD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/the-oath-of-the-sword-1914
Director: Lee Dick
Official NFPF SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/men-and-dust-1940
Official NFPF SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/men-and-dust-1940
Director: Lee Dick
Official NFPF SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/men-and-dust-1940
Official NFPF SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/men-and-dust-1940
Official NFPF HD Streaming https://www.filmpreservation.org/preserved-films/screening-room/the-middleton-family-at-the-new-york-world-s-fair-1939
Official NFPF HD Streaming https://www.filmpreservation.org/preserved-films/screening-room/the-middleton-family-at-the-new-york-world-s-fair-1939
The Library of Congress HD Streaming has very heavy DNR compared to NFPF and very muted colors https://www.loc.gov/item/2023600635/
Official NFPF HD Streaming https://www.filmpreservation.org/preserved-films/screening-room/the-middleton-family-at-the-new-york-world-s-fair-1939
Official NFPF HD Streaming https://www.filmpreservation.org/preserved-films/screening-room/the-middleton-family-at-the-new-york-world-s-fair-1939
The Library of Congress HD Streaming has very heavy DNR compared to NFPF and very muted colors https://www.loc.gov/item/2023600635/
Director: Chick Strand
Image Entertainment Treasures IV: American Avant-Garde Film, 1947-1986 OOP DVD
Image Entertainment Treasures IV: American Avant-Garde Film, 1947-1986 OOP DVD
Also available on NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/2011-nfr-fake-fruit-factory-1986
Director: Chick Strand
Image Entertainment Treasures IV: American Avant-Garde Film, 1947-1986 OOP DVD
Image Entertainment Treasures IV: American Avant-Garde Film, 1947-1986 OOP DVD
Also available on NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/2011-nfr-fake-fruit-factory-1986
Director: James Young Deer
Kino Lorber The Exiles Blu-ray extras
Kino Lorber The Exiles Blu-ray extras
Also available in SD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/t1-white-fawn-s-devotion-1910
Kino Lorber The Exiles Blu-ray extras
Kino Lorber The Exiles Blu-ray extras
Also available in SD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/t1-white-fawn-s-devotion-1910
Directors: Bill Jersey & Barbara Connell
Directors: Bill Jersey & Barbara Connell
Library of Congress official HD Streaming https://www.loc.gov/item/2023600540/
Library of Congress official HD Streaming https://www.loc.gov/item/2023600540/ is a superior copy to the NFPF copy
Library of Congress official HD Streaming https://www.loc.gov/item/2023600540/
Library of Congress official HD Streaming https://www.loc.gov/item/2023600540/ is a superior copy to the NFPF copy
Director: Scott Bartlett
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/offon-1968-2000kbps
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/offon-1968-2000kbps
Director: Scott Bartlett
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/offon-1968-2000kbps
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/offon-1968-2000kbps
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/t1-princess-nicotine-or-the-smoke-fairy-1909
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/t1-princess-nicotine-or-the-smoke-fairy-1909
More Fantasy on Blu-ray
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: Ingmar Bergman
Director: Ingmar Bergman
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
US Toy Robot and UK 88 Films 4K Blu-ray
US Toy Robot and UK 88 Films 4K Blu-ray
Director: Simon McQuoid
Director: Simon McQuoid
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