The Chechahcos (1924)
Adventure, Drama • 1h 27m
Director: Lewis H. Moomaw
Best video release
NFPF official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/t1-the-chechahcos-1924
Updated 5 months ago
About the film
A fire engulfs a shipload of prospectors and adventurers making their way to Alaska. In the confusion, Mrs. Stanlaw is separated from her young daughter, who ends up in the care of 'Horseshoe' Riley and Bob Dexter.
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- National Film Registry
Year of Induction: 2003
- Alternative Titles
- The New Comers
Director: Mike Nichols
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.
Director: Ridley Scott
Final Cut: WB 4K Blu-ray (Caveat: No Dolby Vision from Streaming)
Workprint: WB 30th Anniversary Blu-ray Set for a better AVC encode
1982 Theatrical Mix: Embassy Video releases, HD-DVD for the 70mm 6-track mix
International Cut Dolby Stereo: Criterion Collection LaserDisc, HD-DVD for the 70mm 6-track mix
1992 Director's Cut Dolby Stereo: WB CAV LaserDisc 2.0 PCM-best fidelity of any mix, HD-DVD for the 70mm 6-track mix
Workprint: WB 30th Anniversary Blu-ray Set DTS-HD MA 5.1
2007 Final Cut remix: Blu-ray Dolby TrueHD 5.1
WB 4K Blu-ray only has Final Cut and contains a bad Atmos remix with new sound effects. Original Final Cut mix was removed.
Director: Quentin Tarantino
2025 Taiwan Deltamac 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
2025 Taiwan Deltamac 4K Blu-ray > US Paramount 4K Blu-ray (Taiwan 4K Blu-ray is not low passed as the US 4K Blu-ray and has better grain and fine detail retention)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray see caps
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: Hal Ashby
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Richard Brooks
4K restoration from Original Camera Negative
4K restoration from safety preservation elements
Director: Roy William Neill
Video format: HD Streaming
Director: Louis J. Gasnier
Video format: SD Streaming
Official SD Streaming on NFPF https://www.filmpreservation.org/preserved-films/screening-room/maytime-1923
Sources: filmpreservation.org (opens in a new tab)
Four out of the original seven reels had survived
Director: Frank Shaw
Video format: HD Streaming
Official HD Streaming by NFPF https://www.filmpreservation.org/preserved-films/screening-room/the-oath-of-the-sword-1914
Director: Lee Dick
Video format: SD Streaming
Official NFPF SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/men-and-dust-1940
Video format: HD Streaming
Official NFPF HD Streaming https://www.filmpreservation.org/preserved-films/screening-room/the-middleton-family-at-the-new-york-world-s-fair-1939
Sources: filmpreservation.org (opens in a new tab) · loc.gov (opens in a new tab)
The Library of Congress HD Streaming has very heavy DNR compared to NFPF and very muted colors https://www.loc.gov/item/2023600635/
Director: Scott Bartlett
Video format: SD Streaming
Video format: SD Streaming
Director: Saul Bass
Video format: SD Streaming
Video format: SD Streaming
Video format: SD Streaming
Sources: filmpreservation.org (opens in a new tab) · catalog.archives.gov (opens in a new tab)
8min excerpt seems to be the only video version in circulation: NFPF Official SD Streaming https://www.filmpreservation.org/preserved-films/screening-room/marian-anderson-the-lincoln-memorial-concert-excerpt-1939
US National Archives has the full 29:35 audio recording https://catalog.archives.gov/id/1729137
More Adventure on Blu-ray
Sources: slow.pics (opens in a new tab)
Shout! Factory 4K Blu-ray > BFI 4K Blu-ray, see caps https://slow.pics/c/nPcxCNW4
BFI has more DNR and AI upscaling like their horrible 1979 Nosferatu 4K Blu-ray, and Shout! Factory has more over-exposed grading https://slow.pics/c/WQKmBTLJ
2000 R2 Stonevision DVD
2000 R2 Stonevision DVD vs Shout! Factory 4K Blu-ray?
Director: Robert Aldrich
Only the Arrow has the 6-track mix.
Director: Mike Cheslik
Director: Anthony Mann
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: George Pal
4K restoration from Original Camera Negative
Director: Dennis Hopper
Sources: Criterion Forum (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Director: John Huston
Sources: Blu-ray.com (opens in a new tab)
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
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