Crossing Over (2009)
Crime, Drama • 1h 53m
Director: Wayne Kramer
Cast: Harrison Ford, Ray Liotta, Alice Eve, Ashley Judd, Jim Sturgess, Cliff Curtis, Alice Braga, Summer Bishil, Jacqueline Obradors, Justin Chon, Melody Zara, Merik Tadros, Sarah Shahi, Lizzy Caplan, Mahershala Ali, Gigi Rice, Elaine Kagan, Jessica Tuck, Molly Weiner, Claudia Salinas, Don Scribner, Kevin Alejandro, Tammin Sursok, Judith Moreland, Kevin Sizemore, Deborah Puette, Christopher Murray, Josh Gad, Jack Conley, Aramis Knight, Sung-Hi Lee, Nancy Chidi, Marshall Manesh, Naila Azad, Nina Nayebi
About the film
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.
Director: Guillermo del Toro
Video format: 4K Streaming
4K master with OAR of 1.85 restored streaming on HBO MAX
WB 4K Blu-ray teased by Guillermo Del Toro
CA Alliance Blu-ray or dutch Blu-ray are the same masters but have additional sharpening.
The original DVD has an isolated score and a exclusive easter egg
Director: Josh Safdie
Sources: testsbluray.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
Entertainment in Video UK 4K Blu-ray or French Metropolitan 4K Blu-ray
The UK 4K Blu-ray and Canada 4K Blu-ray both do not have the low-pass that the US 4K Blu-ray has. The UK 4K Blu-ray has some general blockiness and chroma artifacting issues, but the Canada 4K Blu-ray has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The Canada 4K Blu-ray also does not have hardcoded forced subtitles for the newsreel scene like the US and UK 4K Blu-rays. The grade is the same between all three discs.
See tenia's review of the French 4K Blu-ray but no comparison available
The Atmos mix is the same between the US 4K Blu-ray and the UK 4K Blu-ray save for the amount of dynamic objects: the UK 4K Blu-ray has 15 to the USA's 11.
The UK 4K Blu-ray also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the US and Canada 4K Blu-rays.
UK 4K plays fine in motion https://forum.blu-ray.com/showpost.php?p=24007274&postcount=181
Japan GAGA 4K Blu-ray is worse
Director: Wes Craven
France M6 Video 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Halina Reijn
Director: Ari Aster
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
More Crime on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
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