Marty Supreme (2025)
Drama, Thriller • 2h 30m
Overview
Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.
Director: Josh Safdie
Cast: Timothée Chalamet, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler, The Creator, Fran Drescher, Abel Ferrara, Emory Cohen, Géza Röhrig, Koto Kawaguchi, Larry Sloman, Luke Manley, Pico Iyer, Mariann Tepedino, Ralph Colucci, Devorah Shubowitz, George Gervin, Marinel Tinnirello, Sandra Bernhard, John Catsimatidis, Nick Waplington, Nikhil Kumar, Keith Kirkwood, Conn Horgan, Joshua Bennett, Timo Boll, Mahadeo Shivraj, John Keating, Ed Malone, Roddy O'Hehir, Michael Cummings, Harvey Shield, Diego Schaaf, Sho Miyazaki, Andy Kai Nagashima, Dennis Creaghan, Francis Dumaurier, Kemba Walker, Tracy McGrady, Musto Pelinkovicci, Marius Tanase, Philippe Petit, Donato P. Daddario, Frankie Carbone, Lizzi Bougatsos, Lucas Z. Heinrich, Johnny Engle, Jimmy Lindquist, Todd Vulpio, Johnny Zito, Stephen Dachtera, Brian Marks, Kevin Eccleston, Richard Schlossbach, Emilio El Kilani, Isaac Simon, Cody Kostro, George J. Katsiavos, Levon Hawke, Spenser Granese, Hailey Gates, Patrick Wiki Morales, Ted Williams, Alison Bartlett, Fred Hechinger, David Mamet, Jake Braff, Bill Buell, Naomi Fry, Paul Grimstad, Barry Daniels, Roman Persits, Garrett Hermann, Penn Jillette, Linda Malamy, Mitchell Wenig, Ronald Bronstein, Edward Puydak, Hector Diaz, Isaac Mizrahi, Kevin Loreque, Joseph Cappiello, Joseph Jankauskas, Joris Stuyck, Dante Fiallo, Nancy Shankman, Chris Nelson, Eric Rampulla, Randy Credico, Bob Rubin, Michael A. Sollecito, Cheryl Flowers-Briggs, Rory Gevis, Mia Humberd-Hilf, Brian Sexton, Rick Garlick, Shingo Aiba, Yasu Suzuki, Tatsuo Ichikawa, Mark Okita, Joe Matsumura, Rei Ogaki, Anna Melody, Ryuku Kina, Jota Ito, Hideyuki Yamashiro, Tony Crosbie, Mahmoud Osfour, Kojun Natsu, Sadaharu Matsushita, Gao Ogawa, Tomoki Urabe, Charles Glover, Etsuko Enami, Koji Oribe, Johnnie Yamamoto, Nick Wood, Susan Lazarus, Rae Maddren, Carolyn Gershenson, Robert Pattinson, Veronica Hein, Anthony Thomas Larkin, Octavian Reccy
Directors: Benny Safdie & Josh Safdie
Directors: Benny Safdie & Josh Safdie
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
Director: Wayne Kramer
Director: Wayne Kramer
Director: Benny Safdie
Director: Benny Safdie
Director: Michael Gracey
Paramount US vs Entertainment in Video UK - comparison. From nicolas
I think this film is strikingly ugly and it ultimately doesn't matter much which one to take. Paramount's looks low-pass filtered (as usual) which Entertainment in Video doesn't have but it looks like they did some filtering of the chroma but compression-wise, both could be better.
Director: Michael Gracey
Paramount US vs Entertainment in Video UK - comparison. From nicolas
I think this film is strikingly ugly and it ultimately doesn't matter much which one to take. Paramount's looks low-pass filtered (as usual) which Entertainment in Video doesn't have but it looks like they did some filtering of the chroma but compression-wise, both could be better.
Director: Halina Reijn
Director: Halina Reijn
Director: Guillermo del Toro
Director: Guillermo del Toro
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Director: Tony Scott
Director: Tony Scott
Director: Ari Aster
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
Director: Ari Aster
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
Lionsgate 4K Blu-ray or the newly released UK Entertainment in Video 4K Blu-ray?
More Drama on Blu-ray
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Vincent Ward
Director: Vincent Ward
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: John Ford
Director: John Ford
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Edit History
4/24/2026
Best English-Friendly Release
From
Entertainment in Video GBR UHD Blu-ray
From
Entertainment in Video GBR UHD Blu-ray
Best Video Release
From
Entertainment in Video GBR UHD Blu-ray
From
Entertainment in Video GBR UHD Blu-ray
Best Audio Release
From
Entertainment in Video GBR UHD Blu-ray
From
Entertainment in Video GBR UHD Blu-ray
Additional Info
From
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11.
The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
To
The UK 4K Blu-ray and Canada 4K Blu-ray both do not have the low-pass that the US 4K Blu-ray has. The UK 4K Blu-ray has some general blockiness and chroma artifacting issues, but the Canada 4K Blu-ray has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The Canada 4K Blu-ray also does not have hardcoded forced subtitles for the newsreel scene like the US and UK 4K Blu-rays. The grade is the same between all three discs.
The Atmos mix is the same between the US 4K Blu-ray and the UK 4K Blu-ray save for the amount of dynamic objects: the UK 4K Blu-ray has 15 to the USA's 11.
The UK 4K Blu-ray also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the US and Canada 4K Blu-rays.
From
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11.
The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
To
The UK 4K Blu-ray and Canada 4K Blu-ray both do not have the low-pass that the US 4K Blu-ray has. The UK 4K Blu-ray has some general blockiness and chroma artifacting issues, but the Canada 4K Blu-ray has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The Canada 4K Blu-ray also does not have hardcoded forced subtitles for the newsreel scene like the US and UK 4K Blu-rays. The grade is the same between all three discs.
The Atmos mix is the same between the US 4K Blu-ray and the UK 4K Blu-ray save for the amount of dynamic objects: the UK 4K Blu-ray has 15 to the USA's 11.
The UK 4K Blu-ray also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the US and Canada 4K Blu-rays.
4/16/2026
Additional Info
From
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
To
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11.
The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
From
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
To
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11.
The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
4/6/2026
Format
Added
UHD Blu-ray
Added
UHD Blu-ray
Best English-Friendly Release
Added
Entertainment in Video GBR UHD Blu-ray
Added
Entertainment in Video GBR UHD Blu-ray
Best Video Release
Added
Entertainment in Video GBR UHD Blu-ray
Added
Entertainment in Video GBR UHD Blu-ray
Best Audio Release
Added
Entertainment in Video GBR UHD Blu-ray
Added
Entertainment in Video GBR UHD Blu-ray
Additional Info
Added
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Added
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Blu-ray.com
Added
https://www.blu-ray.com/Marty-Supreme/1864223/#Releases
Added
https://www.blu-ray.com/Marty-Supreme/1864223/#Releases
