Best English-friendly & video release · updated 8 months ago
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slow.pics (opens in a new tab)Overview
A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Director: Michael Mann
Director: John Carpenter
Sources: blog.sporv.com (opens in a new tab)
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
Sources: caps-a-holic (opens in a new tab)
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Tsui Hark
UK Arrow 4K Blu-ray or Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
There is a newer 4K restoration by L’Immagine Ritrovata, which should be of better scan quality. The 4K restoration used on all current 4K disc releases stems from a low-quality Cintel scanner. The newer restoration has yet to be released on home video.
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Sources: Blu-ray.com (opens in a new tab)
2026 Criterion 4K Blu-ray, confirmed to be uncut
Directors: Frank Oz & Jim Henson
Shout! Factory's 2.0 is a downmix of the 5.1
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Sources: lddb.com (opens in a new tab)
Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
Director: Takashi Miike
2026 Arrow 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Original matrixed DTS Stereo mix: 2026 Arrow 4K Blu-ray
5.0 surround remix: 2009 Shout! Factory US Blu-ray
Arrow includes three audio tracks, matrixed stereo, discrete 4.0, and a 5.0 surround remix. Unfortunately, only the first one is usable. The 4.0 desyncs partway through. The 5.0 has incorrect (lower) pitch. Fortunately, the matrixed stereo track sounds great, but it is still a major disappointment.
There has been no replacement disc announced. See nicwood's BR post.
More Music on Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.
Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Has full and forced English subtitles
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: Sidney Lumet
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
Director: George Cukor
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