Audition (2000)
オーディション
Horror, Drama • 1h 55m
Overview
Seven years after the death of his wife, widower Shigeharu seeks advice on how to find a new wife from a colleague. Taking advantage of their position as a film company, they stage an audition. Interviewing a series of women, Shigeharu is enchanted by the quiet Asami. But soon things take a twisted turn as Asami isn’t what she seems to be.
Director: Takashi Miike
Radiance 4K Blu-ray from nic:
Unadvertised HDR10 grade that looks better than the equivalent Blu-ray it's packaged with, grain rendered very clean even when it's heavy. FiM encode so surely it's better than the Media Blasters UHD, but there are still issues with frame stability, some shots have this jitter that kinda hurts to look at. Not a night and day upgrade over the Blu, but it's better and despite its issues, probably the best it'll ever be.
Radiance 4K Blu-ray from nic:
Unadvertised HDR10 grade that looks better than the equivalent Blu-ray it's packaged with, grain rendered very clean even when it's heavy. FiM encode so surely it's better than the Media Blasters UHD, but there are still issues with frame stability, some shots have this jitter that kinda hurts to look at. Not a night and day upgrade over the Blu, but it's better and despite its issues, probably the best it'll ever be.
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Takashi Miike
Director: Takashi Miike
Director: James Mangold
Arrow 4K Blu-ray see caps
Director: James Mangold
Arrow 4K Blu-ray see caps
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
For BD:
Theatrical: Czech/Polish/Russian Warner Bros Blu-ray
Director's Cut: Warner Bros Blu-ray
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
For BD:
Theatrical: Czech/Polish/Russian Warner Bros Blu-ray
Director's Cut: Warner Bros Blu-ray
Arrow 4K Blu-ray see caps
Arrow 4K Blu-ray see caps
Director: George Cukor
Director: George Cukor
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: James Foley
Director: James Foley
Director: Richard Fleischer
Director: Richard Fleischer
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
More Horror on Blu-ray
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Paul Lynch
Director: Paul Lynch
Director: Robert Bierman
Director: Robert Bierman
Director: Frank Oz
2026 4K Blu-ray
Warner Bros Blu-ray for the original 70mm 6-track mix
Warner Bros pan-and-scan LaserDisc for the original Dolby Stereo 35mm 2-track mix
Only the DVD has the isolated score.
Director: Frank Oz
2026 4K Blu-ray
Warner Bros Blu-ray for the original 70mm 6-track mix
Warner Bros pan-and-scan LaserDisc for the original Dolby Stereo 35mm 2-track mix
Only the DVD has the isolated score.
Director: Zach Cregger
Director: Zach Cregger
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Paul Schrader
Shout! Factory 4K Blu-ray has DNR applied and encoding could be better. Possible issues in Dolby Vision
Great source, poorly encoded but it does look significantly better than the Blu-Rays.
Director: Paul Schrader
Shout! Factory 4K Blu-ray has DNR applied and encoding could be better. Possible issues in Dolby Vision
Great source, poorly encoded but it does look significantly better than the Blu-Rays.
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