Saw IV (2007)
Horror, Thriller, Crime • 1h 33m
Director: Darren Lynn Bousman
Cast: Tobin Bell, Costas Mandylor, Scott Patterson, Betsy Russell, Lyriq Bent, Athena Karkanis, Louis Ferreira, Simon Reynolds, Donnie Wahlberg, Angus Macfadyen, Shawnee Smith, Bahar Soomekh, Dina Meyer, Mike Realba, Marty Adams, Sarain Boylan, Billy Otis, James Van Patten, David Boyce, Kevin Rushton, Julian Richings, Kelly Jones, Ingrid Hart, Niamh Wilson, Janet Land, Ron Lea, Joanne Boland, Zoe Heath, Bill Vibert, Eric Gores, Devon Bostick, Tony Nappo, Emmanuelle Vaugier, Noam Jenkins, Mike Butters, J. LaRose, Oren Koules, Alison Luther, Kim Roberts, David Webster, Sandra Manson, Shauna Black, Darrell Dennis, Tracey Ferencz, Catherine Fitch, Christopher Marren, Christopher Morris, Geoffrey Pounsett
Best English-friendly & video release
Theatrical: Lionsgate 4K Blu-ray
Unrated: Lionsgate Blu-ray included in the 4K Blu-ray
Updated 10 months ago
About the film
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Director: Darren Lynn Bousman
Theatrical: Lionsgate 4K Blu-ray
Unrated: Lionsgate Blu-ray included with 4K Blu-ray
Director: Darren Lynn Bousman
Theatrical: Lionsgate 4K Blu-ray
Unrated: Austrian Kinowelt Final Edition Blu-ray
Director's Cut: Lionsgate Blu-ray included with the 4K Blu-ray
Director: Barry Jenkins
Video format: UHD Blu-ray
Lionsgate 4k
Criterion 4K Blu-ray announced by director Barry Jenkins
Director: Damien Chazelle
Video format: UHD Blu-ray
US Lionsgate Limited 4K Blu-ray re-release announced with Dolby Vision, a new exclusive bonus, and the previously retailer pre-order bonus-exclusive/Hong Kong-exclusive bonus interviews in HD
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else and only included as retailer-exclusive pre-order bonus DVDs with the US Blu-ray
Director: Werner Herzog
Director: Paul King
StudioCanal UK 4K Blu-ray minimal picture upgrade (2K upscale)
StudioCanal UK 4K Blu-ray has good new Atmos mix
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Alexandre Aja
Theatrical Cut: Austria NSM Blu-ray
Director's Cut: France Metropolitan Blu-ray
Metropolitan got better picture (higher bitrate + better grain + more detail) than Lionsgate
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Jamie Babbit
Sources: slow.pics (opens in a new tab)
Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Sources: fanrestore.com (opens in a new tab) · originaltrilogy.com (opens in a new tab)
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
More Horror on Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Lewis Teague
> disappointing US Kino Lorber 4K Blu-ray
Director: Glen Morgan
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: George Pavlou
Arrow 4K Blu-ray teased
Germany Wicked Vision 4K Blu-ray better than US Kino Lorber?
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
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