Chicago (2002)
Comedy, Crime, Drama • 1h 53m
Overview
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Director: Rob Marshall
Cast: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, Ekaterina Chtchelkanova, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Mya, Deidre Goodwin, Denise Faye, Susan Misner, Cliff Saunders, Jayne Eastwood, Bruce Beaton, Roman Podhora, Rob Smith, Sean Wayne Doyle, Steve Behal, Robbie Rox, Chita Rivera, Joey Pizzi, Scott Wise, Ken Ard, Marc Calamia, Niki Wray, Gregory Mitchell, Sebastian La Cause, Brendan Wall, Cleve Asbury, Rick Negron, Shaun Amyot, Eve Crawford, Bill Corsair, Bill Britt, Gerry Fiorini, Elizabeth Law, Joseph Scoren, Monique Ganderton, April Morgan, Marty Moreau, Conrad Dunn, Jonathan Whittaker, Rod Campbell, Brett Caruso, Sean McCann, Jeff Clarke, Patrick Salvagna, Kathryn Zenna, Jeff Pustil, Roxane Barlow, Jocelyn Dowling, Melanie A. Gage, Michelle Johnston, Charley King, Mary Ann Lamb, Vicky Lambert, Tara Nicole Hughes, Cynthia Onrubia, Karine Plantadit, Jennifer Savelli, Natalie Willes, Karen Andrew, Kelsey Chace, Catherine Chiarelli, Theresa Coombe, Lisa Ferguson, Melissa Flerangile, Michelle Galati, Sheri Godfrey, Brittany Gray, Karen Holness, Amber-Kelly Mackereth, Jodi McFadden, Faye Rauw, Rhonda Roberts, Leigh Torlage, Robyn Wong, Ted Banfalvi, Harrison Beal, Paul Becker, Jean-Luc Côté, Scott Fowler, Edgar Godineaux, Bill Hartung, Darren Lee, Troy P. Liddell, Blake McGrath, Robert Montano, Sean Palmer, Desmond Richardson, Martin Samuel, Jason Sermonia, Jeff Siebert, Sergio Trujillo, Stacy Clark Baisley, Megan Fehlberg, Rachel Jacobs, Rebecca Leonard, Erin Michie, Danielle Rueda-Watts, Dana Calitri, Kate Coffman-Lloyd, Curtis King Jr., Laura Dean, Margaret Dorn, Capathia Jenkins, Audrey Martells, Sara Ramirez, Nicki Richards, Dennis Collins, Darius De Haas, Willie Falk, Timothy Shew, Alfonzo Thornton, Eric Troyer
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: John Ford
Director: John Ford
Director: Frank Capra
Director: Frank Capra
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Edmund Goulding
Director: Edmund Goulding
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: Peter Weir
Director: Peter Weir
Director: Tony Scott
Director: Tony Scott
Director: Haskell Wexler
Criterion Blu-ray is slightly better than MoC Blu-ray: while both are from a 4K restoration approved by director, MoC is more sharpened but gamma is flatter see caps
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Director: Haskell Wexler
Criterion Blu-ray is slightly better than MoC Blu-ray: while both are from a 4K restoration approved by director, MoC is more sharpened but gamma is flatter see caps
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Paramount 4K Blu-ray but poor encode, no alternatives though
Paramount 4K Blu-ray but poor encode, no alternatives though
Director: Jon Favreau
US Universal Blu-ray with both cuts, Kino Lorber Blu-ray (extended cut only) included in the disappointing 4K Blu-ray and International Paramount Blu-ray (both Theatrical and Extended Blu-rays in different countries) have similar encoding.
US Universal Blu-ray with both cuts, Kino Lorber Blu-ray (extended cut only) included in the disappointing 4K Blu-ray and International Paramount Blu-ray (both Theatrical and Extended Blu-rays in different countries) have similar encoding.
Kino Lorber 4K Blu-ray disappointing review
Director: Jon Favreau
US Universal Blu-ray with both cuts, Kino Lorber Blu-ray (extended cut only) included in the disappointing 4K Blu-ray and International Paramount Blu-ray (both Theatrical and Extended Blu-rays in different countries) have similar encoding.
US Universal Blu-ray with both cuts, Kino Lorber Blu-ray (extended cut only) included in the disappointing 4K Blu-ray and International Paramount Blu-ray (both Theatrical and Extended Blu-rays in different countries) have similar encoding.
Kino Lorber 4K Blu-ray disappointing review
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Karyn Kusama
Paramount 4K Blu-ray (4K Ultra HD Blu-ray release is a significant upgrade from the 2006 Blu-Ray and features Dolby Vision and HDR10)
Paramount 4K Blu-ray (4K Ultra HD Blu-ray release features a 5.1 channel DTS-HD Master Audio; 2006 Blu-Ray featured a lossy DD track)
Paramount 4K HD Blu-Ray's video and audio are significant upgrades from the previous 2006 Blu-Ray. ViaVision's 4K UHD Blu-Ray features the same 4K video scan, but has 2 audio commentary tracks included on the 4K disc; Paramount's 4K does not (the commentary tracks are available only on the included Blu-Ray).
Director: Karyn Kusama
Paramount 4K Blu-ray (4K Ultra HD Blu-ray release is a significant upgrade from the 2006 Blu-Ray and features Dolby Vision and HDR10)
Paramount 4K Blu-ray (4K Ultra HD Blu-ray release features a 5.1 channel DTS-HD Master Audio; 2006 Blu-Ray featured a lossy DD track)
Paramount 4K HD Blu-Ray's video and audio are significant upgrades from the previous 2006 Blu-Ray. ViaVision's 4K UHD Blu-Ray features the same 4K video scan, but has 2 audio commentary tracks included on the 4K disc; Paramount's 4K does not (the commentary tracks are available only on the included Blu-Ray).
Edit History
9/20/2025
