Green Book (2018)
Drama, Comedy, History • 2h 10m
Overview
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
Director: Peter Farrelly
Cast: Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco, Dimiter D. Marinov, P.J. Byrne, Mike Hatton, Joe Cortese, Maggie Nixon, Von Lewis, Jon Sortland, Don Stark, Anthony Mangano, Paul Sloan, Quinn Duffy, Seth Hurwitz, Hudson Galloway, Gavin Foley, Rodolfo Vallelonga, Louis Venere, Frank Vallelonga, Don DiPetta, Jenna Laurenzo, Suehyla El-Attar Young, Kenneth Israel, Derrick Spears, Johnny Williams, Randal Gonzalez, Iqbal Theba, Sharon Landry, Nick Vallelonga, David An, Mike Cerrone, Peter Gabb, Gertrud Sigle, Geraldine Singer, Ron Flagge, Martin Bats Bradford, Ted Huckabee, Gralen Bryant Banks, Sam Malone, Floyd Miles, David Kallaway, James W. Evermore, Harrison Stone, Ricky Muse, Tom Virtue, Christina Simpkins, Kermit Burns III, Lindsay Brice, Shane Partlow, Daniel Greene, Brian Distance, Craig DiFrancia, Dennis W. Hall, Leslie Castay, David Simpson, Jim Klock, Billy Breed, Dane Rhodes, Brian Stepanek, Jon Michael Davis, Montrel Miller, Ninja N. Devoe, Brian Hayes Currie
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Oliver Stone
A improved Shout! Factory 4K Blu-ray teased by Oliver Stone
MGM Blu-ray, better than 2022 Shout! Factory 4K Blu-ray due to poor encode and heavy DNR (review)
Director: Oliver Stone
A improved Shout! Factory 4K Blu-ray teased by Oliver Stone
MGM Blu-ray, better than 2022 Shout! Factory 4K Blu-ray due to poor encode and heavy DNR (review)
Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc> Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a fold-down of the 5.1, the replacement disc and the ultimate knockout version fixed the error.
Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc> Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a fold-down of the 5.1, the replacement disc and the ultimate knockout version fixed the error.
Director: Kevin Costner
4K restoration of the extended cut to be screened in Locarno Film Festival
PQ looks the same for all BDs, but only Shout! Factory/Australia Via Vision Blu-ray/Germany Kinowelt Anniversary Blu-ray has both theatrical and extended cut
Director: Kevin Costner
4K restoration of the extended cut to be screened in Locarno Film Festival
PQ looks the same for all BDs, but only Shout! Factory/Australia Via Vision Blu-ray/Germany Kinowelt Anniversary Blu-ray has both theatrical and extended cut
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
Director: Frank Tuttle
Director: Frank Tuttle
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: Joe Alves
2D version: 2016 Universal Blu-ray
3D version: Universal 3D Blu-ray (caveat: 3D Blu-ray has misaligned eyes)
Nick_M's 3D version is better than Universal 3D Blu-ray
2D version: 2016 Universal Blu-ray
3D version: Universal 3D Blu-ray (caveat: 3D Blu-ray has misaligned eyes)
Nick_M's 3D version is better than Universal 3D Blu-ray
Director: Joe Alves
2D version: 2016 Universal Blu-ray
3D version: Universal 3D Blu-ray (caveat: 3D Blu-ray has misaligned eyes)
Nick_M's 3D version is better than Universal 3D Blu-ray
2D version: 2016 Universal Blu-ray
3D version: Universal 3D Blu-ray (caveat: 3D Blu-ray has misaligned eyes)
Nick_M's 3D version is better than Universal 3D Blu-ray
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Ronny Yu
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut/US Theatrical Cut: Universal Blu-ray
Director's Cut: Hong Kong Edko Films Blu-ray
International Theatrical Cut (aka. Unrated Cut): Universal Blu-ray
US Theatrical Cut: Universal Blu-ray, Starz Streaming for open matte
Hong Kong Theatrical Cut: Disney+ Streaming in Singapore, Singapore Disney DVD for open matte
Thai Theatrical Cut: Disney+ Streaming in Thailand, Thailand Disney DVD for open matte
Director: Tom Hooper
Director: Tom Hooper
Director: Michael Gordon
Universal 4K Blu-ray
2012 BD is of similar fidelity but adds extra foley sounds. 2003 PAL DVD is a stereoized remix.
Director: Michael Gordon
Universal 4K Blu-ray
2012 BD is of similar fidelity but adds extra foley sounds. 2003 PAL DVD is a stereoized remix.
Director: Doug Liman
Director: Doug Liman
Director: Joss Whedon
Director: Joss Whedon
Director: George Lucas
Director: George Lucas
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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