The Batman (2022)
Crime, Mystery, Thriller • 2h 57m
Overview
In his second year of fighting crime, Batman uncovers corruption in Gotham City that connects to his own family while facing a serial killer known as the Riddler.
Director: Matt Reeves
Cast: Robert Pattinson, Zoë Kravitz, Jeffrey Wright, Colin Farrell, Paul Dano, John Turturro, Andy Serkis, Peter Sarsgaard, Barry Keoghan, Jayme Lawson, Gil Perez-Abraham, Peter McDonald, Con O'Neill, Alex Ferns, Rupert Penry-Jones, Kosha Engler, Archie Barnes, Janine Harouni, Hana Hrzic, Joseph Walker, Luke Roberts, Oscar Novak, Stella Stocker, Sandra Dickinson, Andre Nightingale, Richard James-Neale, Lorraine Tai, Joseph Balderrama, James Eeles, Angela Yeoh, Leemore Marrett Jr., Ezra Elliott, Itoya Osagiede, Stewart Alexander, Adam Rojko Vega, Heider Ali, Marcus Onilude, Elena Saurel, Ed Kear, Sid Sagar, Todd Boyce, Brandon Bassir, Will Austin, Chabris Napier-Lawrence, Douglas Russell, Charlie Carver, Max Carver, Phil Aizlewood, Mark Killeen, Philip Shaun McGuinness, Lorna Brown, Elliot Warren, Jay Lycurgo, Stefan Race, Elijah Baker, Craige Middleburg, Akie Kotabe, Spike Fearn, Urielle Klein-Mekongo, Bronson Webb, Madeleine Gray, Ste Johnston, Arthur Lee, Parry Glasspool, Jordan Coulson, Hadas Gold, Pat Battle, Bobby Cuza, Dean Meminger, Roma Torre, Mike Capozzola, Amanda Hurwitz, Joshua Eldridge-Smith, Daniel Rainford, Nathalie Armin, Jose Palma, Kazeem Tosin Amore, Dave Simon, Rodrig Andrisan, Craig Douglas, Sophie Lamont, Kemal Shah, Mark Addison, Tiago Martins
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Richard Linklater
Director: Richard Linklater
Directors: Sam Liu & Lauren Montgomery
Directors: Sam Liu & Lauren Montgomery
Director: Renny Harlin
Arrow 4K Blu-ray caps by cinemaniac. Gorgeous upgrade
Atmos track on Arrow cuts off the end credits music 1 minute before the credits end. 5.1 doesn't have this issue.
Digital 4K appears to be fixed. Could the International WB 4K Blu-ray also be fixed?
Director: Renny Harlin
Arrow 4K Blu-ray caps by cinemaniac. Gorgeous upgrade
Atmos track on Arrow cuts off the end credits music 1 minute before the credits end. 5.1 doesn't have this issue.
Digital 4K appears to be fixed. Could the International WB 4K Blu-ray also be fixed?
Director: Lee Cronin
Director: Lee Cronin
More Crime on Blu-ray
Director: Fritz Lang
Director: Fritz Lang
Director: Robert Towne
Arrow includes the original Dolby Stereo mix in a matrixed stereo form, as well as a discrete 4.0 track.
Director: Robert Towne
Arrow includes the original Dolby Stereo mix in a matrixed stereo form, as well as a discrete 4.0 track.
Director: Guy Hamilton
Director: Guy Hamilton
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Dennis Hopper
2026 Radiance 4K Blu-ray
2026 Radiance 4K Blu-ray
Director: Dennis Hopper
2026 Radiance 4K Blu-ray
2026 Radiance 4K Blu-ray
Director: Béla Tarr
Director: Béla Tarr
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Deran Sarafian
MVD 4K Blu-ray beautiful remaster but with frame rate skips (encoding error)
Director: Deran Sarafian
MVD 4K Blu-ray beautiful remaster but with frame rate skips (encoding error)
Director: Danny Boyle
Director: Danny Boyle
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Edit History
Made with ❤️ 📀 by vanshady