True Lies (1994)
Action, Thriller • 2h 20m
Overview
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
Director: James Cameron
Cast: Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Tia Carrere, Art Malik, Eliza Dushku, Grant Heslov, Charlton Heston, Marshall Manesh, James Allen, Dieter Rauter, Jane Morris, Katsy Chappell, Crystina Wyler, Ofer Samra, Paul Barselou, Charles A. Tamburro, Jean-Claude Parachini, Uzi Gal, Majed Ibrahim, Armen Ksajikian, Mike Akrawi, Mike Cameron, Charles Cragin, Louai Mardini, Gino Salvano, Scott Dotson, Tom Isbell, John Bruno, Sergio Kato, Sayed Badreya, Ray Buffer, Max Daniels, Joan Quinn Eastman, Richard Givens, Loren Janes, Lane Leavitt, Jody Millard, Erik Parillo, Manny Perry, Charlie Picerni, Dale Resteghini, William Shipman, Matt Sigloch, Ryken Zane, Al Conti, Janet Dey, Mark Winn, James Cameron
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: Michael Bay
4K possibly teased?
Director: Michael Bay
4K possibly teased?
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Director: James Cameron
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Director: James Cameron
Director: James Cameron
Fox Blu-ray for original cuts without the extra scene added in the re-release and AI upscaling
Newer Blu-ray/4K has the extra scene, but is poor and has excessive AI upscaling
Fox Blu-ray for original cuts without the extra scene added in the re-release and AI upscaling
Newer Blu-ray/4K has the extra scene, but is poor and has excessive AI upscaling
An additional scene was added to the ending of the movie in the 2022 re-release: https://www.movie-censorship.com/report.php?ID=493908
Director: James Cameron
Fox Blu-ray for original cuts without the extra scene added in the re-release and AI upscaling
Newer Blu-ray/4K has the extra scene, but is poor and has excessive AI upscaling
Fox Blu-ray for original cuts without the extra scene added in the re-release and AI upscaling
Newer Blu-ray/4K has the extra scene, but is poor and has excessive AI upscaling
An additional scene was added to the ending of the movie in the 2022 re-release: https://www.movie-censorship.com/report.php?ID=493908
Disney Collector's Edition 4K Blu-ray
Disney 4K Blu-ray, Collector's Edition has more extras + Dolby Vision
Disney Collector's Edition 4K Blu-ray
Disney 4K Blu-ray, Collector's Edition has more extras + Dolby Vision
More Action on Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
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