Jennifer Connelly
11 Films
Jennifer Connelly
11 Included Films
Jennifer Lynn Connelly (born December 12, 1970) is an American actress. She began her career as a child model before making her acting debut in the 1984 crime film Once Upon a Time in America. After having worked as a model for several years, she began to concentrate on acting, starring in a variety of films including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991). She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000). Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the face of Balenciaga and Louis Vuitton fashion advertisements, as well as for Revlon cosmetics. In 2012, she was named the first global face of the Shiseido Company. Magazines, including Time, Vanity Fair, and Esquire, as well as the Los Angeles Times newspaper, have included her on their lists of the world's most beautiful women. Description above from the Wikipedia article Jennifer Connelly, licensed under CC-BY-SA, full list of contributors on Wikipedia.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Dario Argento
Director: Dario Argento
Director: Jim Henson
Sony 35th Anniversary Edition 4K Blu-ray = Shout Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Sony 35th Anniversary Edition 4K Blu-ray = Shout Factory replacement 4K Blu-ray
Director: Jim Henson
Sony 35th Anniversary Edition 4K Blu-ray = Shout Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Sony 35th Anniversary Edition 4K Blu-ray = Shout Factory replacement 4K Blu-ray
Director: Alex Proyas
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Alex Proyas
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Ron Howard
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ron Howard
Universal 4K Blu-ray - caps. Looks stunning against the horribly neutralized old master. Very glad Deakins supervised the new grade and had Universal restore his color filters.
Universal Blu-ray (included in the 4K edition) has the original 5.1 mix not on the 4K disc
The original 5.1 surround mix from the 2011 USA BD was included alongside the new Atmos upmix. The compatibility track is a downmix of the Atmos. The Atmos is overall lightly remixed with noticeably more high frequencies rolled-off relative to the old 5.1. I think the 5.1 sounds better. The 5.1 mix from the USA BD was used as it sounds essentially the same as the EUR BD (with some minor loudness differences) while not featuring the dither noise and low frequency noise that the EUR has. Commentaries between the USA UHD and USA BD are the same, with both featuring Dolby Surround metadata
Audio comparison: 5.1 surround
Director: Ang Lee
Director: Ang Lee
Director: Jon Watts
Director: Jon Watts
Director: Joseph Kosinski
Director: Joseph Kosinski
11 films