John Bluthal
9 Films
John Bluthal
9 Included Films
John Bluthal (born Isaac Bluthal; 12 August 1928 – 15 November 2018) was a comic actor best known for the role of Frank Pickle in the BBC sitcom The Vicar of Dibley and for his work with Spike Milligan in the Q series. He also appeared in several films including the Carry On movies, The Pink Panther movies, A Hard Day's Night, Help!, The Fifth Element and Hail, Caesar! He was born in Poland in 1929 and emigrated with his family to Australia when he was a child. In the early 60s, Bluthal moved to the UK to follow his acting career and returned to Australia in later years. He passed away on 15th November, 2018 at the age of 89.
Director: Richard Lester
Criterion 4K Blu-ray second pressing from March 2022 as first pressing has shots in one scene placed in wrong order
Director: Richard Lester
Criterion 4K Blu-ray second pressing from March 2022 as first pressing has shots in one scene placed in wrong order
BFI Blu-ray > Kino Lorber, see DVDBeaver comparisons http://www.dvdbeaver.com/film5/blu-ray_reviews_70/the_knack_and_how_to_get_it_blu-ray.htm
BFI Blu-ray > Kino Lorber, see DVDBeaver comparisons http://www.dvdbeaver.com/film5/blu-ray_reviews_70/the_knack_and_how_to_get_it_blu-ray.htm
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
The pitch of the StudioCanal 4K Blu-ray English audio is too high, as of 5/16/23 unclear if replacements will be offered
The pitch of the StudioCanal 4K Blu-ray English audio is too high, as of 5/16/23 unclear if replacements will be offered
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Director: Jim Henson
Sony 35th Anniversary Edition 4K Blu-ray or Shout Factory replacement 4K Blu-ray?
Sony 35th Anniversary Edition 4K Blu-ray or Shout Factory replacement 4K Blu-ray?
Director: Jim Henson
Sony 35th Anniversary Edition 4K Blu-ray or Shout Factory replacement 4K Blu-ray?
Sony 35th Anniversary Edition 4K Blu-ray or Shout Factory replacement 4K Blu-ray?
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Alex Proyas
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Alex Proyas
OOP Arrow LE has Theatrical Cut not on the standard release
9 films