Penn Jillette
4 Films
Penn Jillette
4 Included Films
Penn Jillette is an American magician, juggler, comedian, musician, inventor, actor, and best-selling author known for his work with fellow magician Teller as half of the team Penn & Teller.
Director: John Lasseter
2010 2D re-render: Disney 4K Blu-ray
2010 3D render: Disney 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
2010 2D re-render: Disney 4K Blu-ray
2010 3D render: Disney 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LD has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
Director: John Lasseter
2010 2D re-render: Disney 4K Blu-ray
2010 3D render: Disney 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
2010 2D re-render: Disney 4K Blu-ray
2010 3D render: Disney 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LD has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Arrow UK or Criterion US 4K Blu-ray (preference)
Arrow UK & Criterion US 4K Blu-ray have different gradings (preference, Arrow 4K Blu-ray is encoded by Fidelity in Motion)
Arrow UK or Criterion US 4K Blu-ray (preference)
Arrow UK & Criterion US 4K Blu-ray have different gradings (preference, Arrow 4K Blu-ray is encoded by Fidelity in Motion)
Director: Josh Safdie
The UK 4K Blu-ray and Canada 4K Blu-ray both do not have the low-pass that the US 4K Blu-ray has. The UK 4K Blu-ray has some general blockiness and chroma artifacting issues, but the Canada 4K Blu-ray has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The Canada 4K Blu-ray also does not have hardcoded forced subtitles for the newsreel scene like the US and UK 4K Blu-rays. The grade is the same between all three discs.
The Atmos mix is the same between the US 4K Blu-ray and the UK 4K Blu-ray save for the amount of dynamic objects: the UK 4K Blu-ray has 15 to the USA's 11.
The UK 4K Blu-ray also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the US and Canada 4K Blu-rays.
Director: Josh Safdie
The UK 4K Blu-ray and Canada 4K Blu-ray both do not have the low-pass that the US 4K Blu-ray has. The UK 4K Blu-ray has some general blockiness and chroma artifacting issues, but the Canada 4K Blu-ray has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The Canada 4K Blu-ray also does not have hardcoded forced subtitles for the newsreel scene like the US and UK 4K Blu-rays. The grade is the same between all three discs.
The Atmos mix is the same between the US 4K Blu-ray and the UK 4K Blu-ray save for the amount of dynamic objects: the UK 4K Blu-ray has 15 to the USA's 11.
The UK 4K Blu-ray also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the US and Canada 4K Blu-rays.
4 films