Ricco Ross
3 Films
Ricco Ross
3 Included Films

From Wikipedia, the free encyclopedia Ricco Ross (born April 16, 1960) is an American actor. Ricco was born in Chicago, Il. at Cook County Hospital, is the 5th of 8 children with three additional step sisters and another brother from his father and with his first wife. He begin acting in a local high school production. He continued with this development of a new career going to a local Community College where he majored in Theater, moving forward to Florida Atlantic University (FAU) where he received is BA in Theatre, earning a scholarship to UCLA where his career begain to develop. His first TV role was as an extra on the "Young and the Restless", then a small part on the hit series "Hill Street Blues" opening the door for more TV and Movie Roles. He played Private Frost in Aliens, and also appeared in the films Mission Impossible and Fierce Creatures. During the late 1980s and early 1990s, he lived and worked in the United Kingdom, leading to guest appearances on Doctor Who ("The Greatest Show in the Galaxy") and Jeeves and Wooster. Ross also co-starred as Nate in the film "Nate and the Colonel". He also played in Charles Bronsons "Death Wish Three", "Spies Like Us" with Dan Akroyd and Chevy Chase, the "Dirty Dozen Next Mission" with Lee Marvin. "Displaced Person" and many more films. Ross is appearing in various commercials, as well as television shows shown throughout the United States. Description above from the Wikipedia article Ricco Ross, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: James Cameron
Director: James Cameron
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
3 films


