4K Blu-ray

AIP Dub is only found on the 2011 Media Blasters Blu-ray along with other exclusive extras (NOT the 2014 reissue)

StudioCanal 4K Blu-ray has the 2.0 PCM mono audio

> Carlotta, with debatable color gradings from master (yellow hues).

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

(arguable, but without the noise gating on the Arrow)

Severin 4K Blu-ray scanned in 4K from the Original Camera Negative restored by MoMA

> Paramount 4K Blu-ray

Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film

https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450

https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73

(preference)

2017 StudioCanal Blu-ray might(?) be the same.

> Kino Lorber 4K Blu-ray see caps From nicolas:

Kino has terrible encode with strong blocking in highlights & darker areas and a red push in the master. Plaion (via LSP) is much better encoding-wise and they seemingly adjusted the grade when they did their HDR pass. It’s a fantastic disc.