Films
The best release of every film, picked by the community. How we decide
6,202 films · page 44 of 311
Director: George B. Seitz
Director: Lionel Barrymore
Sources: film-foundation.org (opens in a new tab)
Restored but no release yet
Bob Swerer Productions DVD
Bob Swerer Productions DVD
Bob Swerer Productions DVD
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Sources: slow.pics (opens in a new tab)
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: Kathryn Bigelow
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Josef von Sternberg
Sources: DVDBeaver (opens in a new tab)
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Director: Wes Craven
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has color space error but otherwise an improvement upon previous Blu-rays. See caps
Maybe the included standard Blu-ray is better?
Director: Lou Ye
Sources: slow.pics (opens in a new tab) · strandreleasing.com (opens in a new tab)
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
UK 88 Films 4K Blu-ray See caps
DE Nameless 4K Blu-ray is an extremely poor AI upscale. See caps
Director: Richard Fleischer
Sources: YouTube (opens in a new tab) · lddb.com (opens in a new tab)
Director: Sheldon Lettich
Paramount 4K Blu-ray has the original colour grade
Director: Terence Young
US Arrow 4K Blu-ray > UK StudioCanal 4K Blu-ray, better color grading



















