Artificial Eye Blu-ray
Video format
Best English-friendly release · updated 9 months ago
Overview
A love story that follows the maneuverings of a society lady as she connives to initiate a scandalous affair between her aristocratic ex-lover and a prostitute.
Director: Jean Vigo
Sources: slow.pics (opens in a new tab)
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Video format: UHD Blu-ray
Sources: Blu-ray.com (opens in a new tab)
(Indicator 4K Blu-ray, based on review)
Director: Otakar Vávra
Sources: Blu-ray.com (opens in a new tab)
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Anthony Mann
Director: Basil Dearden
Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: George Stevens
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Robert Bresson
Director: Robert Bresson
Director: Robert Bresson
Director: Robert Bresson
France StudioCanal or Kadokawa Blu-ray, 4K restoration
Director: Robert Bresson
Director: Robert Bresson
4k transfer. Shochiku Blu-ray is similar
Curzon 4K Blu-ray scheduled for October 2026 release
Supposed to have better translation than Criterion.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Sources: YouTube (opens in a new tab)
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Director: Bong Joon Ho
France The Jokers 4K Blu-ray
France The Jokers 4K Blu-ray has the least DNR (UK Artificial Eye might be similar? Both better than Universal 4K Blu-ray)
Criterion even though doesn’t have 4K, it has the B&W version and a lot of extras.
UK Artificial Eye vs France Carlotta no comparison
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