Best English-friendly & video release
HDR caps by fkid. Obviously this is a huge improvement after what was available until now. Still, the early 2000s nature of the film is palpable and more noticeable, f.ex. in the opening scene that looks upscaled but seemingly without AI usage or any egregious tools. No info yet about what Fincher actually changed and where he tinkered around. Also see samlop10's review
Updated 1 year ago
UHD tiers
About the film
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders - Burnham, Raoul and Junior - during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
Director: David Fincher
Digipack release includes an Amazing Amy book the standard edition doesn’t have.
Director: David Fincher
4K Blu-ray has exclusive “unrated” audio with a small change to one line under the request of David Fincher (removed the poor dub over of frickin’ in the line “Screw it, let’s gut the f**kin’ nerd.”).
Director: David Fincher
Disney 4K Blu-ray or Fox 2009 Blu-ray or Kinowelt Entertainment 2008 Germany Blu-ray for a purist version
Sources: slow.pics (opens in a new tab) · notonbluray.com (opens in a new tab)
Disney 4K Blu-ray or Fox 2009 Blu-ray for a purist version or Kinowelt Entertainment 2008 Germany Blu-ray from the original 1999 telecine transfer
Disney 4K Blu-ray, while a good release by itself, is very revisionist albeit made by Fincher. It has a huge amount of tinkering, a different grade, and at times uncanny with the sharpening. Caps of just how revisionist the new master is.
All Blu-ray tracks have significant limiting.
Disney 4K Blu-ray has some alterations, otherwise similar to the Fox Blu-ray
A blog article going over the home video history of Fight Club: https://notonbluray.com/blog/fight-club-compared-blu-ray-vs-itunes-vs-d-vhs-vs-dvd-vs-laserdisc/
Director: David Fincher
2025 WB 4K Blu-ray or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
Sources: Blu-ray.com (opens in a new tab) · notonbluray.com (opens in a new tab)
2025 WB 4K Blu-ray, better detail and everything, or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
4K caveat: A variety of VFX set pieces and touch-ups were added in scenes throughout the film, probably for continuity or consistency, although they might be unnecessary or revisionist. Clouds are added to clear sky of the last act.
AI is used to fix an unwanted camera movement in one scene.
some shots had been further stabilized, resulting in strange motion blur.
Also has missing dialog intact.
But it can be argued that the Warner Bros 4K Blu-ray 5.1 (remix) is technically a better mix.
More info on the different color grades over the years: https://notonbluray.com/blog/the-case-of-se7en/
Director: David Fincher
Theatrical: Paramount 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: Dennis Hopper
Sources: Criterion Forum (opens in a new tab)
Director: David Lean
Sources: Blu-ray.com (opens in a new tab)
The 5.1 on Sony 4K Blu-ray is from the 1989 70mm mix. The original is 4-track. not on the disc.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Satoshi Kon
Sources: Blu-ray.com (opens in a new tab)
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Frank Capra
More Crime on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
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