Side Street (1950)
Thriller, Crime • 1h 23m
Director: Anthony Mann
Cast: Farley Granger, Cathy O'Donnell, James Craig, Paul Kelly, Jean Hagen, Paul Harvey, Edmon Ryan, Charles McGraw, Edwin Max, Adele Jergens, Harry Bellaver, Whit Bissell, John Gallaudet, Esther Somers, Harry Antrim, James Westerfield, Kathryn Givney, Norman Leavitt, Herb Vigran, Sid Tomack, John Maxwell, Minerva Urecal, Ollie O'Toole, King Donovan
About the film
A struggling young father-to-be gives in to temptation and impulsively steals an envelope of money from the office of a corrupt attorney. Instead of a few hundred dollars, it contains $30,000. When he decides to return the money, things go wrong - and that is only the beginning of his troubles.
- Alternative Titles
- Side Street
Director: Anthony Mann
Video format: 1080p Blu-ray
Olive Blu-ray
Barebones Olive BD of a Paramount HD master. Visually it's solid overall with some moments of great clarity, primarily in the big outdoor and aviation sequences. Otherwise it shows its age.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Eureka MOC Blu-ray
The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino in encode and extras making it easily the only version to consider.
Director: Anthony Mann
Video format: 1080p Blu-ray
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion Blu-ray upgrade removes the pictureboxing of their old DVD transfer. New HD discussion extra added to the DVD supplements package and reprints the rare out of print source novel as a paperback.
Video format: 1080p Blu-ray
Shout Factory Blu-ray
Shout's BD has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino BD is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The BD does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
More Thriller on Blu-ray
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Jonathan Demme
Video format: UHD Blu-ray
Sources: vitalpassenger.com (opens in a new tab)
FiM are mistakenly credited, one of the four known instances of this for a Cinématographe title (the other three being Thieves Like Us, Who Killed Teddy Bear?, and The Gambler). 4K encode was done by Vital Passenger. https://vitalpassenger.com/our-work
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Video format: UHD Blu-ray
WB 4K
Sources: YouTube (opens in a new tab)
An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
The 4K master has a shot at the very end of the movie (on James Caan's face) that looks incredibly soft and not good at all. This was visible on the DCP as well so it might just be a source issue rather than being the fault of Kino, Capelight or Arrow.
Director: Steven Spielberg
Video format: UHD Blu-ray
Universal 4K
Dolby Vision grading looks identical to a cinema DCP, which is the highest compliment that could be given. Encode is perfectly solid in motion.
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