Manpower (1941)
Crime, Drama • 1h 44m
Overview
Hank McHenry and Johnny Marshall work as power company linesmen. Hank is injured in an accident and subsequently promoted to foreman of the gang. Tensions start to show in the road crew as rivalry between Hank and Johnny increases.
Director: Raoul Walsh
Cast: Edward G. Robinson, Marlene Dietrich, George Raft, Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond, Walter Catlett, Joyce Compton, Lucia Carroll, Egon Brecher, Cliff Clark, Joseph Crehan, Ben Welden, Barbara Pepper, Dorothy Appleby, Murray Alper, Jean Ames, Sam Ash, Lynn Baggett, Leah Baird, Muriel Barr, Diana Barrymore, Arthur Q. Bryan, Joyce Bryant, Georgia Caine, Peter Caldwell, Nat Carr, Glen Cavender, Spencer Chan, Eddy Chandler, Chester Clute, Joe Devlin, John Dilson, Roland Drew, Ralph Dunn, Dick Elliott, Faye Emerson, Eddie Fetherston, James Flavin, Charles Fogel, Brenda Fowler, William Gould, Fred Graham, Carl Harbaugh, John Harmon, Harry Harvey Jr., Al Herman, Herbert Heywood, Friedrich Hollaender, Harry Holman, Stuart Holmes, William Hopper, John Kelly, Paul King, Barbara Land, Vera Lewis, Audra Lindley, Jack 'Tiny' Lipson, Al Lloyd, Frank Mayo, Pat McKee, Gayle Mellott, William Newell, Paul Panzer, Lee Phelps, Jane Randolph, John J. Richardson, Bobby Robb, Drew Roddy, William Royle, Cliff Saum, Jeffrey Sayre, Harry Seymour, Charles Sherlock, Harry Strang, Robert Strange, Charles Sullivan, Elliott Sullivan, Harry Tenbrook, Dorothy Vaughan, Sailor Vincent, Nella Walker, Billy Wayne, Dick Wessel, Joan Winfield, Isabel Withers, Beal Wong, Virginia Hill
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Kino Lorber Cary Grant Collection Blu-ray
Kino Lorber Cary Grant Collection Blu-ray
Director: Raoul Walsh
Kino Lorber Cary Grant Collection Blu-ray
Kino Lorber Cary Grant Collection Blu-ray
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Cecil B. DeMille
Director: Cecil B. DeMille
Director: Elia Kazan
Director: Elia Kazan
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Jacques Tourneur
Director: Jacques Tourneur
Director: Abel Ferrara
Director: Abel Ferrara
Director: Anthony Mann
Director: Anthony Mann
More Crime on Blu-ray
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
Director: Pierre Perifel
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
2D version: Universal 4K Blu-ray
3D version: Australia Universal/Sony 3D Blu-ray
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Edit History
