Manpower (1941)
Crime, Drama • 1h 44m
Director: Raoul Walsh
Cast: Edward G. Robinson, Marlene Dietrich, George Raft, Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond, Walter Catlett, Joyce Compton, Lucia Carroll, Egon Brecher, Cliff Clark, Joseph Crehan, Ben Welden, Barbara Pepper, Dorothy Appleby, Murray Alper, Jean Ames, Sam Ash, Lynn Baggett, Leah Baird, Muriel Barr, Diana Barrymore, Arthur Q. Bryan, Joyce Bryant, Georgia Caine, Peter Caldwell, Nat Carr, Glen Cavender, Spencer Chan, Eddy Chandler, Chester Clute, Joe Devlin, John Dilson, Roland Drew, Ralph Dunn, Dick Elliott, Faye Emerson, Eddie Fetherston, James Flavin, Charles Fogel, Brenda Fowler, William Gould, Fred Graham, Carl Harbaugh, John Harmon, Harry Harvey Jr., Al Herman, Herbert Heywood, Friedrich Hollaender, Harry Holman, Stuart Holmes, William Hopper, John Kelly, Paul King, Barbara Land, Vera Lewis, Audra Lindley, Jack 'Tiny' Lipson, Al Lloyd, Frank Mayo, Pat McKee, Gayle Mellott, William Newell, Paul Panzer, Lee Phelps, Jane Randolph, John J. Richardson, Bobby Robb, Drew Roddy, William Royle, Cliff Saum, Jeffrey Sayre, Harry Seymour, Charles Sherlock, Harry Strang, Robert Strange, Charles Sullivan, Elliott Sullivan, Harry Tenbrook, Dorothy Vaughan, Sailor Vincent, Nella Walker, Billy Wayne, Dick Wessel, Joan Winfield, Isabel Withers, Beal Wong, Virginia Hill
Best English-friendly & video release · updated 4 months ago
4K restoration from Original Camera Negative
Overview
Hank McHenry and Johnny Marshall work as power company linesmen. Hank is injured in an accident and subsequently promoted to foreman of the gang. Tensions start to show in the road crew as rivalry between Hank and Johnny increases.
4K restoration from original technicolor negatives
Director: Raoul Walsh
Sources: moma.org (opens in a new tab)
New restoration by MoMA and Film Foundation https://www.moma.org/calendar/events/11558 no release yet
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
TV series
4K restoration from Original Camera Negative for all episodes
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
More Crime on Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Lloyd Bacon
4K restoration from Original Camera Negative
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