Manpower (1941)
Crime, Drama • 1h 44m
Director: Raoul Walsh
Cast: Edward G. Robinson, Marlene Dietrich, George Raft, Alan Hale, Frank McHugh, Eve Arden, Barton MacLane, Ward Bond, Walter Catlett, Joyce Compton, Lucia Carroll, Egon Brecher, Cliff Clark, Joseph Crehan, Ben Welden, Barbara Pepper, Dorothy Appleby, Murray Alper, Jean Ames, Sam Ash, Lynn Baggett, Leah Baird, Muriel Barr, Diana Barrymore, Arthur Q. Bryan, Joyce Bryant, Georgia Caine, Peter Caldwell, Nat Carr, Glen Cavender, Spencer Chan, Eddy Chandler, Chester Clute, Joe Devlin, John Dilson, Roland Drew, Ralph Dunn, Dick Elliott, Faye Emerson, Eddie Fetherston, James Flavin, Charles Fogel, Brenda Fowler, William Gould, Fred Graham, Carl Harbaugh, John Harmon, Harry Harvey Jr., Al Herman, Herbert Heywood, Friedrich Hollaender, Harry Holman, Stuart Holmes, William Hopper, John Kelly, Paul King, Barbara Land, Vera Lewis, Audra Lindley, Jack 'Tiny' Lipson, Al Lloyd, Frank Mayo, Pat McKee, Gayle Mellott, William Newell, Paul Panzer, Lee Phelps, Jane Randolph, John J. Richardson, Bobby Robb, Drew Roddy, William Royle, Cliff Saum, Jeffrey Sayre, Harry Seymour, Charles Sherlock, Harry Strang, Robert Strange, Charles Sullivan, Elliott Sullivan, Harry Tenbrook, Dorothy Vaughan, Sailor Vincent, Nella Walker, Billy Wayne, Dick Wessel, Joan Winfield, Isabel Withers, Beal Wong, Virginia Hill
Best English-friendly & video release
4K restoration from Original Camera Negative
Updated 4 months ago
Compare the discs
About the film
Hank McHenry and Johnny Marshall work as power company linesmen. Hank is injured in an accident and subsequently promoted to foreman of the gang. Tensions start to show in the road crew as rivalry between Hank and Johnny increases.
4K restoration from original technicolor negatives
Director: Raoul Walsh
Sources: moma.org (opens in a new tab)
New restoration by MoMA and Film Foundation https://www.moma.org/calendar/events/11558 no release yet
Director: Raoul Walsh
Director: Raoul Walsh
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
More Crime on Blu-ray
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Director: Tony Gilroy
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