William Newell
15 Films
William Newell
15 Included Films
Director: Victor Fleming
Director: Victor Fleming
Director: Jack Conway
Director: Jack Conway
Director: Fritz Lang
Director: Fritz Lang
Unofficial DVD copied from TCM
Unofficial DVD copied from TCM
Director: Raoul Walsh
Director: Raoul Walsh
Director: Billy Wilder
Kino Lorber Blu-ray > MoC. Kino Lorber is made from a 4K scan of negative, the older MoC have crushed black levels.
Director: Billy Wilder
Kino Lorber Blu-ray > MoC. Kino Lorber is made from a 4K scan of negative, the older MoC have crushed black levels.
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
1992 Republic LaserDisc
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
1992 Republic LaserDisc
Director: Jacques Tourneur
Director: Jacques Tourneur
15 films