Immoral Tales (1974)
Contes immoraux
Drama, Romance • 2h 5m
Director: Walerian Borowczyk
Cast: Lise Danvers, Fabrice Luchini, Charlotte Alexandra, Lisbeth Hummel, Paloma Picasso, Pascale Christophe, Florence Bellamy, Lorenzo Berinizi, Jacopo Berinizi, Philippe Desboeuf, Tomas Hnevsa, Mathieu Rivolier, Robert Capia, Gerard Tcherka, Kjell Gustavsson, Nicole Karen, Marie Forså, Florence Dauman, Sirpa Lane
About the film
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Director: Joel Coen
Shout is still very good but Arrow has the edge due to better handling of highlights and less chroma noise, comparison
All the same
Director: Vittorio De Sica
Different gradings; Arrow looks better in some frames (particularly the restored day-for-night blue filters), while Shout! Factory looks better in others https://slow.pics/c/aQmQXCrc
Director: Robert Aldrich
Only the Arrow has the 6-track mix.
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray see caps
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: John Woo
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Billy Wilder
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Peter Jackson
Both will look identical in motion but the Turbine looks marginally better due to a higher bitrate allocation by each cut being given its own disc, whereas Arrow had FiM seamlessly branch the two onto one. However, Arrow has both cuts in Open Matte (on Blu-Ray) and corrected the opening Universal logo's aspect ratio. https://slow.pics/c/McvVcYDG
More Drama on Blu-ray
Director: Richard Rush
> Shout! Factory 4K Blu-ray (FiM encode on Radiance compared to Duplitech encode on Shout! Factory)
Director: Victor Sjöström
Video format: 1080p Blu-ray
Director: Victor Sjöström
Video format: 1080p Blu-ray
Director: Paul Verhoeven
Video format: UHD Blu-ray
Director: Philip Kaufman
Criterion 4K Blu-ray is a significant upgrade over previous WB Blu-ray see comparison
Criterion for the first time on home video have provided the 70mm 6-track as well as the Dolby stereo which was previously on LaserDisc. Both tracks are unique so included both with the 6-track default. Criterion’s 5.1 remix is lossless compared to the lossy tracks of the previous blu-rays and DVDs.
See comparison
New 4K restoration recently screened at Venice Film Festival https://variety.com/2026/film/news/apichatpong-weerasethakuls-4k-restorations-match-factory-1236843949/
Director: Robert De Niro
2027 FreeWind Media UK 4K Blu-ray
Edit history
2 edits
Every recommendation follows the same method — how these calls are made.