A Foreign Affair (1948)
Romance, Comedy, Drama • 1h 56m
Director: Billy Wilder
Cast: Jean Arthur, Marlene Dietrich, John Lund, Millard Mitchell, Peter von Zerneck, Stanley Prager, William Murphy, Gordon Jones, Freddie Steele, Raymond Bond, Boyd Davis, Robert Malcolm, Charles Meredith, Michael Raffetto, James Larmore, Damian O'Flynn, Frank Fenton, Harland Tucker, George M. Carleton, Nick Abramoff, Ted Cottle, Zina Dennis, Jimmie Dundee, Lisa Golm, Leo Gregory, Ilka Grüning, Vilmos Gymes, Chester Hayes, Hans Herbert, Len Hendry, Friedrich Hollaender, Jerry James, Howard Joslin, George Kachin, Willy Kaufman, Phyllis Kennedy, Henry Kulky, Harry Lauter, Rex Lease, Norman Leavitt, Paul Lees, Kenneth Lundy, Don Lynch, Gregory Merims, Bert Moorhouse, Hazard Newberry, Larry Nunn, Paul Panzer, George Paris, Frank Popovich, Otto Reichow, Albin Robeling, Richard Ryen, William Sabbot, William Self, Pat Shade, John Shay, William F. Sheehan, Peter Similuk, Bob Simpson, Zivko Simunovich, Bert Stevens, Walter Thiele, George Unanoff, Edward Van Sloan, Jack Vlaskin, Sergei N. Vonesky, Henry Vroom, Otto Waldis, Fay Wall, Christa Walton, Bobby Watson, Eric Wyland, Frank Yaconelli, Nicholas L. Zane
Best English-friendly & video release · updated 7 months ago
Overview
In occupied Berlin, an army captain is torn between an ex-Nazi café singer and the US congresswoman investigating her.
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
> Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
But still a bit overly noise-managed.
1984 CBS/Fox Hi-Fi VHS maybe better?
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
1991 MCA LaserDisc
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
UK MoC Blu-ray has the better encoding
US Kino Lorber Blu-ray has inferior encoding and likely suffers from the Quicktime Gamma Bug see caps
MOC Blu-ray or MGM Laserdisc
Eureka MOC is far superior to Kino with also more printed booklet extras. The reconstruction work, transfer and extras date back to MGM's Laserdisc attempt. The LD master and materials were ported to the MGM DVD which in turn was paired with an updated HD master for the BDs. The film still cries out for a proper modern restoration and reconstruction attempt with the partially surviving cut sequences. The extras on LD also have PCM audio and one of the visuals in one of the cut episodes is more untouched which is censored for nudity on the modern versions. It's small but the particular element has been blurred on most versions today.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Billy Wilder
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
Kino UHD has frozen grain and other artifacts from a Paramount master with the usual lackluster Kino encoding.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Germany Plaion Blu-ray has the best encoding, and both MoC and Kino Lorber Blu-ray have Quicktime Gamma Bug see caps
For encoding, Plaion > MoC > Kino Lorber
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Flicker Alley 4K confirmed for 2027 https://forum.blu-ray.com/showpost.php?p=24404584&postcount=1
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Director: Louis Feuillade
Director: John Frankenheimer
Director: Hal Ashby
Director: Josef von Sternberg
Sources: DVDBeaver (opens in a new tab)
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
More Romance on Blu-ray
Director: Liliana Cavani
Sources: Criterion Forum (opens in a new tab)
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Directors: Emeric Pressburger & Michael Powell
Imprint 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
4K restoration from Original Camera Negative
Edit history
Every recommendation follows the same method — how these calls are made.